萨洛宁《小提琴协奏曲》作曲技法探究

发布时间：2018-03-27 15:00

本文选题：萨洛宁　切入点：小提琴协奏曲　出处：《上海音乐学院》2017年硕士论文

【摘要】：本文以芬兰当代作曲家埃萨-佩卡·萨洛宁《小提琴协奏曲》为研究对象,通过分析其音高组织、结构、织体与配器等方面的作曲技术,阐述并揭示其创作思维和音乐风格。论文的主要部分分四章:第一章介绍了萨洛宁及其《小提琴协奏曲》;第二章分析音高组织,从旋律、中心音的运用、和声分析及音高材料发展四个方面分别阐述;第三章分乐章分析了音乐结构及多乐章套曲的布局;第四章分析了配器与织体,重点阐述乐队编制与配器布局、织体类型及配器手法。结语总结了萨洛宁《小提琴协奏曲》的作曲技法:(1)核心音高材料贯穿全曲;(2)经典曲式结构为原则,内部结构具有多重性;(3)配器手法继承传统管弦乐法的原则;以主调织体为主,动态静态相结合。思维特征:(1)力求从自由与秩序中找到合理的平衡;(2)经验和感性因素大于逻辑与理性因素;(3)传承古典,融合当代。
[Abstract]:This paper takes Finland contemporary composer ESA Pekka Salonen "Violin Concerto" as the research object, through the analysis of the pitch organization, structure, composition and orchestration texture etc., expounds and reveals the creative thinking and music style. The main part is divided into four chapters: Chapter One introduces Salonen and the Violin Concerto "the second chapter is the analysis of the pitch organization"; from the melody, use of sound, center, harmonic analysis and pitch materials development four aspects are expounded; the third chapter analyzes the structure of music and music music divertimento layout; the fourth chapter analyzes the orchestration and texture, focuses on the orchestral and orchestration layout, texture and type orchestration. The conclusion summarizes the Bodhisattva Luoning Violin Concerto < >: (1) the composing techniques of core pitch materials throughout the whole song; (2) the classical musical structure principle, the internal structure is multiple; (3) orchestration The principles of traditional orchestral law are inherited, and the main tune is mainly composed of dynamic and static combination. The characteristics of thinking are: (1) strive to find a reasonable balance from freedom and order; (2) experience and perceptual factors are greater than logical and rational factors; (3) inherit classical and integrate contemporary.

【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J622.1

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