合唱艺术音响的律学基础

发布时间：2018-03-30 11:09

  本文选题：合唱　切入点：纯律　出处：《西北民族大学》2016年硕士论文

【摘要】：合唱音乐艺术是起源于约公元9世纪欧洲的一种多声部的、每声部均有至少一人演唱的以人声为主的音乐艺术形式,无论是何种合唱形式,其音响效果均是人声间或人声与乐器之间不同“律”(即乐音音高)的结合所呈现出来的。“五度相生律”、“纯律”、“中庸全音律”及“十二平均律”、“弹性十二平均律”等律制在实际合唱音乐中的使用,是人们为了追求更为和谐丰满合唱音响的手段。分析合唱音乐史中各个阶段作品与律制的关系,剖析人体对音律的听觉与演唱的物理学及生理学方面的原理,利用律学方法与手段：如听律、唱律进行合唱音乐的训练及表演,使律学真正付诸于合唱音乐的表演,改善并完美合唱音响是律学理论与实践真正相结合的意义所在。
[Abstract]:The art of choral music originated in Europe in about the 9th century, with at least one person singing a form of musical art dominated by human voices, regardless of the form of chorus. The sound effects are all presented by the combination of different "laws" between voices or between voices and musical instruments (i.e. musical pitch). "Quadric law", "pure law", "mean total rhythm" and "twelve average law", "elastic twelve average law" The use of the isometric system in actual choral music, It is a means for people to pursue a more harmonious and full choral acoustics, to analyze the relationship between the works of various stages in the history of choral music and the law system, and to analyze the physical and physiological principles of the human body's hearing and singing of the rhythm. Using the methods and means of law science, such as listening to the rhythm, singing the rhythm to train and perform the chorus music, make the law really put into the performance of the chorus music, improve and perfect the chorus sound is the meaning of the real combination of the theory and practice of the law.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J616.2
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本文编号：1685657