竹笛的音色、演奏与电子音乐的结合之探讨分析

发布时间：2018-04-04 11:18

本文选题：竹笛　切入点：演奏　出处：《上海音乐学院》2017年硕士论文

【摘要】：竹笛是中国历史最悠久的乐器之一。随着竹笛演奏艺术的不断发展,不断有作曲家和演奏家拓展着竹笛作为中国典型的独奏/重奏乐器的表现力。在现当代这个充斥着各种各种音乐文化、音乐形式、各种音乐语汇的音乐环境下,作为竹笛演奏者如何更好地将竹笛应作曲家的乐思需求,以及将竹笛的音色演奏特点与各类非常规音乐元素融合,是颇有探究意义的。从竹笛与电子音乐融合的角度上来看,竹笛与电子音乐作品《吟》《半坡的月圆之夜》都摆脱了早期电子音乐作品"显性音色思维方式",并非是以单纯的电子合成音色用于作品中,而是对于演奏乐器本身音色采样的变形、运用,以及和演奏者本身演奏的交互融合,这也让作曲家、竹笛演奏者在作品创作、处理上,有了更大的发挥空间。声音是没有极限的,竹笛与电子音乐的结合值得竹笛演奏者和作曲家的不断探索、实践和创新。
[Abstract]:Bamboo flute is one of the oldest musical instruments in China.With the continuous development of bamboo flute playing art, composers and performers expand the performance of bamboo flute as a typical solo / recital instrument in China.In the modern and contemporary music environment, which is full of all kinds of music culture, music forms and various musical terms, as a bamboo flute player, how can the bamboo flute better meet the music needs of the composer?It is of great significance to combine the timbre of bamboo flute with all kinds of unconventional music elements.From the point of view of the fusion of bamboo flute and electronic music,Bamboo flute and electronic music works "Yin" and "Banpo's full Moon Night" have all got rid of the "dominant timbre mode of thinking" of the early electronic music works, and are not used in works with simple electronic composite timbre.But for the instrument itself, the variation of timbre sampling, the use, and the interaction with the performer itself, which also allows composers, bamboo flute players in the creation, processing, there is a greater room for play.There is no limit to sound. The combination of bamboo flute and electronic music is worth the continuous exploration, practice and innovation of bamboo flute players and composers.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.11

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