亨德米特的和声技法及其应用研究

发布时间：2018-04-07 14:54

本文选题：亨德米特　切入点：调性体系　出处：《西安音乐学院》2017年硕士论文

【摘要】：保罗·亨德米特(1895一1963),德国作曲家,二十世纪最重要的音乐家之一。他同时也是二十世纪初期新古典主义音乐的重要代表人物。亨德米特多才多艺,在作曲、理论、演奏、教学、指挥等多个领域皆有涉及或建树,并创作有各种体裁和各种风格的大量作品。在二十世纪二十至三十年代,亨氏的创作表现出浓厚的新古典主义倾向。他反对夸张、虚浮的后期浪漫主义。他首先在其《钢琴音乐》(1927)等作品中逐步发展一种新的复调技术和新的巴洛克风格,并系统地发展出一套合乎逻辑的新对位法。同时,他重视调性并注重应用。一九三三年,亨德米特以文艺复兴时期的著名画家马蒂斯为蓝本,以这位颇具人文精神的中世纪艺术家的人生为题材,创作了歌剧《画家马蒂斯》,他将歌剧中的三段间奏曲改编为组曲,称之为《画家马蒂斯》交响曲。并于1934年3月,由著名指挥家富特文格勒指挥柏林爱乐乐团首演,引起轰动,一举成功。在此之后,这首交响曲《画家马蒂斯》便成为音乐史上经典交响曲之一。本论文是以二十世纪上半叶德国历史与音乐发展状况为背景,以亨德米特的交响曲《画家马蒂斯》作为研究对象,该论文共分为五章内容:第一章绪论,主要概述了亨德米特的生平简介、创作分期和交响曲《画家马蒂斯》简介;第二章综述了亨德米特的和声理论,论述了调性观念、音序I与音序II、和弦结构、和弦外音、和弦标记、和声的终止式、和声连接的声部进行等多个方面。第三章阐述了交响曲《画家马蒂斯》音乐思维中的曲式结构、配器特色和复调技术的运用;第四章阐述了亨德米特的和声技法在他的交响曲《画家马蒂斯》中的应用;第五章阐述了亨德米特的和声技法在他的学生中国作曲家谭小麟作品中的应用。
[Abstract]:Paul Hendermitt, a German composer, was one of the most important musicians of the twentieth century.He was also an important representative of neoclassical music in the early 20 th century.Hendmett is versatile in composition, theory, performance, teaching, direction, and many other fields, and has created a variety of genres and styles of a large number of works.In the 20 s-30 s, Heinz's creation showed a strong trend of neo-classicism.He opposed exaggeration, vanity, and romanticism.He first developed a new polyphonic technique and a new baroque style in his works "Piano Music" 1927, and systematically developed a set of logical new pairs.At the same time, he attached importance to tonality and application.In 1933, Hendermitt took Matisse, a famous Renaissance painter, as his model, and took the life of this medieval artist with a humanistic spirit as his subject matter.He wrote Matisse, the opera, he adapted the three passages of the opera into a suite, called the "painter Matisse" symphony.In March 1934, the Berlin Philharmonic Orchestra was conducted by famous conductor Futtewengler, causing a sensation and success.After that, this symphony, Matisse, became one of the classical symphonies in music history.This thesis is based on the history and music development of Germany in the first half of the twentieth century, taking Hendermitt's Symphony Matisse as the object of study. The thesis is divided into five chapters: the first chapter is the introduction.The second chapter summarizes Hendermitt's theory of harmony, discusses the concept of tonality, phonic preface I and phonological sequence II, chord structure, and chord external sound.Chord marking, the termination of harmony, harmonic connection of the sound and other aspects.The third chapter expounds the musical structure, orchestration characteristics and polyphonic techniques in the musical thinking of the artist Matisse, the fourth chapter expounds the application of Hendermitt's harmonic techniques in his symphony Matisse.The fifth chapter expounds the application of Hendermitt's harmony technique in the works of his Chinese composer Tan Xiaolin.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.1

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