舒伯特《G大调奏鸣曲》（D894）的演奏分析

发布时间：2018-04-08 10:01

本文选题：舒伯特　切入点：《G大调钢琴奏鸣曲》Op.78(D.894)　出处：《山东师范大学》2017年硕士论文

【摘要】：提起弗朗兹·舒伯特,人们首先想到的是他在艺术歌曲领域所创造的举世瞩目的成就。在早期的西方音乐学术界,很少有人把舒伯特看做为一名伟大的器乐作曲家。而事实上,他在器乐作曲领域创作了除协奏曲以外的所有体裁形式,尤其是在钢琴作品的创作方面,从规模到成就都不亚于他的声乐作品。舒伯特一生共创作了 22首钢琴奏鸣曲,而他生前唯有三首钢琴奏鸣曲作品得以发表,《G大调钢琴奏鸣曲》Op.78(D.894)是这三首中的最后一首,于1826年冬天创作,1827年出版。本文将对这首奏鸣曲中每一个乐章的风格特征和曲式结构作简要分析,并结合笔者自身的练习和演奏经验,对作品的技术难点进行演奏技法分析。
[Abstract]:When it comes to Franz Schubert, the first thing that comes to mind is his remarkable achievements in the field of art songs.In early western music academia, Schubert was rarely regarded as a great instrumental composer.In fact, in the field of instrumental composition, he created all genres except Concerto, especially in piano works, from scale and achievement to his vocal works.Schubert wrote 22 piano sonatas in his lifetime, but only three piano sonatas were published in his lifetime. The piano sonata in G major (Op. 78D. 894) was the last of the three sonatas. He was published in the winter of 1826 and published in 1827.This paper will briefly analyze the style and structure of each movement in this sonata, and combine the author's own practice and performance experience to analyze the technical difficulties of the work.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

【参考文献】