王建民“二胡狂想曲”旋律创作特点探究

发布时间：2018-04-08 14:04

本文选题：二胡狂想曲　切入点：民族素材　出处：《华中师范大学》2017年硕士论文

【摘要】：二胡是中华民族家喻户晓的民族乐器。在二胡的发展历程中,演奏水平不断提高,创作的作品也层出不穷,从50、60年代的《赛马》《秦腔主题随想曲》《三门峡畅想曲》,到80年代的《长城随想》《一枝花》《新婚别》,这些作品使二胡这一乐器的表现力得以丰富。新一代作曲家在对民族器乐的探索中,以二胡音乐创作为主导,同时吸收西方作曲技法,创作出了极具个人特色的音乐作品,这也意味着二胡作品呈现出多元化的发展趋势,迈向了现代化的发展道路。王建民的二胡狂想曲是二胡新兴作品中的佼佼者,其高超的作曲技法与鲜明的民族特色赋予了作品极高的艺术价值和欣赏价值。王建民曾强调,音乐作品的基本要素既是旋律,可见旋律在王建民的创作中占得地位是及其重要的。因此,本文从王建民的四首二胡狂想曲中寻找旋律的创作特点,以此来为自身的创作提供借鉴与参考。本文着重从以下三个方面进行分析:其一、四首二胡狂想曲中人工音阶与核心音调的创造与运用,分析《第一二胡狂想曲》和《第二二胡狂想曲》使用的人工九声音阶,及其与核心音调之间的联系。其二、作品中民族素材的采用及其转换为主题动机的作曲技法,通过对原始民族素材的分析,挖掘民族素材与狂想曲之间的联系,从而得出民族素材提炼为主题动机的作曲技法。其三、核心音调在全曲中的展开,探索核心音调在四首狂想曲中的贯穿,总结王建民新的创作技法的运用。全文拟采用的研究方法:(1)文献研究法:收集整理国内与选题相关的文献资料,了解和把握本研究的研究对象、内容、原则和方法,为论文研究的进行提供了理论依据。(2)个案研究法:通过王建民四首狂想曲的研究,得出他独特的作曲技法。(3)访谈法:对王建民进行访谈,以期获得其作品的第一手资料。
[Abstract]:Erhu is a national musical instrument widely known in the Chinese nation.In the course of the development of Erhu, the level of performance has been continuously improved, and the works created have been emerging in endlessly.From "Horse racing" in the 1950s and "Qin Opera" to "Sanmenxia Fantasy", to "the Great Wall" in the 1980s "A flower", "wedding", these works made the erhu musical instrument more expressive.In the exploration of national instrumental music, the new generation of composers took erhu music creation as the leading factor and absorbed western composing techniques to create music works with very personal characteristics, which also meant that erhu works showed a diversified development trend.Towards modernization of the road to development.Wang Jianmin's erhu Rhapsody is one of the most outstanding new erhu works. His superb composition techniques and distinctive national characteristics endow his works with high artistic value and appreciation value.Wang Jianmin has emphasized that the basic elements of musical works are melodies, which shows that melodies play an extremely important role in Wang Jianmin's creation.Therefore, this article from Wang Jianmin's four erhu Rhapsody to find the characteristics of melody creation, in order to provide reference for their own creation.This paper focuses on the following three aspects: first, the creation and application of artificial scales and core tones in four erhu Rhapsody, and the analysis of the artificial nine sound levels used in Rhapsody No. 1 and Rhapsody II.And its connection to the core tones.Second, the use of national material in the work and its conversion as the theme of the composition of the technique, through the analysis of the original national material, explore the relationship between the national material and the Rhapsody.Therefore, the composition technique of the national material extraction as the theme motive is obtained.Third, the development of the core tone in the whole song, explore the core tone in the four Rhapsody, summed up Wang Jianmin's new creative techniques.The research method proposed in this paper is: to collect and organize the domestic literature related to the topic, to understand and grasp the research object, content, principles and methods of this study,This paper provides a theoretical basis for the research of the thesis. 2) case study method: through the study of four Rhapsody songs by Wang Jianmin, the author obtains his unique composition technique. 3) interview method: interview Wang Jianmin in order to obtain the first-hand information of his works.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.21

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