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浅谈亨德尔清唱剧《弥赛亚》—“圣婴降临”的指挥与排练

发布时间:2018-04-10 03:03

  本文选题:亨德尔 切入点:弥赛亚 出处:《上海音乐学院》2017年硕士论文


【摘要】:亨德尔的清唱剧《弥赛亚》是巴洛克时期合唱的代表性作品,有着深刻的内涵和研究意义。本文以这部清唱剧的第4段"圣婴降临"为例从排练,指挥,声乐等方面进行了较为深入的阐述,完整的展示了排练一首合唱作品的过程,包括对合唱作品的分析,排练过程中遇到的问题以及给出的解决方案,为演唱和排练该作品提供了一定的理论帮助,并以此为合唱指挥专业的的同仁提供一些参考。本文从作品背景,指挥法,声乐技巧和排练四个方面对作品进行了介绍,第一章为亨德尔与《弥赛亚》,从巴洛克风格的背景到亨德尔的生平,作曲技法以及《弥赛亚》这部作品的介绍,让大家初步对整个巴洛克时期以及作曲家及其作品有一个宏观的认识,第二章为"圣婴降临"的指挥法研究,结合作品的分析从指挥法的角度对"圣婴降临"进行了细致的研究,根据本人在实践过程中总结出的体会阐述了对合唱指挥法的个人见解。第三章是《圣婴降临》的声乐研究,首先阐述了合唱音响概念的审美,以及如何通过声乐技巧的训练达到预期的效果。第四章是根据个人经验对于如何排练做出了举例说明,针对排练以及本人在实践过程中发现的问题进行探讨,提出解决的方案。笔者希望通过对上述内容的叙述提出问题,总结学习实践的成果,能为实际指挥排练该作品提一定的供理论支持,希望对同行们能有一定的帮助。
[Abstract]:Handel's oratorio Messiah is a representative work of chorus in Baroque period, which has profound connotation and research significance.This article takes the fourth paragraph of the oratorio "the arrival of the Holy Baby" as an example to elaborate in depth from the aspects of rehearsal, command, vocal music, etc., and shows the whole process of rehearsing a chorus work, including the analysis of the chorus works.The problems encountered during rehearsals and the solutions given provide some theoretical help for singing and rehearsing this work and provide some references for the colleagues of chorus conductor specialty.This paper introduces the works from four aspects: background, command, vocal music skills and rehearsals. The first chapter is about Handel and Messiah, from the background of Baroque style to the life of Handel.The introduction of composing techniques and the work "Messiah" gives us a preliminary understanding of the whole Baroque period and the composer and his works. The second chapter is the study of the command method of "the birth of the Holy Child."Based on the analysis of the works, the author makes a detailed study on the coming of the Holy Baby from the angle of command method, and expounds his personal opinions on the chorus command method according to the experience I have summed up in the course of practice.The third chapter is the vocal music research of the coming of the Holy Baby. Firstly, it expounds the aesthetic of the concept of choral sound and how to achieve the desired results through the training of vocal music skills.The fourth chapter illustrates how to rehearse according to personal experience, discusses the problems found in rehearsals and puts forward solutions.The author hopes to put forward questions and summarize the results of learning practice through the narration of the above contents so as to provide some theoretical support for the actual command and rehearsal of this work and to be of some help to the colleagues.
【学位授予单位】:上海音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J615.4

【参考文献】

相关硕士学位论文 前2条

1 王振华;清唱剧《弥赛亚》合唱作品中的和声及旋法研究[D];浙江师范大学;2015年

2 沈爽;合唱排练中各声部的训练方法研究[D];东北师范大学;2011年



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