周龙早期创作中五声纵合化和声材料的结构形态

发布时间：2018-04-10 07:15

本文选题：五声纵合化　切入点：结构形态　出处：《天津音乐学院学报》2017年03期

【摘要】：当一位作曲家以中国文化为创作灵感的源泉,并选择中国传统音乐为音高素材时,他将面临的是如何选择与该音乐风格相一致的多声部音高组织手法进行创作。那么,直接来源于中国五声调式的五声纵合化的和声材料无疑是有效的材料选择。本文以周龙早期室内乐作品为研究对象,以五声纵合化和声材料为研究的切入点,研究该材料在周龙作品中的具体运用手法,旨在揭示五声纵合化和声材料根据自身特点的不同形态以及结合方式。
[Abstract]:As a composer with Chinese culture as a source of inspiration, and choose China traditional music as the pitch, he will face is how to choose to be consistent with the music style of polyphonic pitch organization practices for the creation. Then, directly from the China five tone sound of the five vertical integration of material and no doubt is the choice of effective materials. This week long early chamber works as the research object, with five longitudinal acoustic harmony materials as the research breakthrough point, study the specific use practices of the material in Zhou long in the works, to reveal the five longitudinal acoustic harmony materials according to the different forms of its own characteristics and the combination.

【作者单位】：浙江音乐学院作曲与指挥系;
【基金】：浙江音乐学院校级课题2016KL017资助项目
【分类号】：J614.1

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