析勋伯格《歌曲二首》op.14与贝尔格《四首歌曲》op.2——新维也纳乐派早期的利德研究

发布时间：2018-04-10 12:04

本文选题：利德 + 新维也纳乐派　；参考：《音乐创作》2017年01期

【摘要】：自古典、浪漫主义时期以来,利德已成为许多德、奥作曲家创作的重要领域。该传统延续至新维也纳乐派后,其风格开始了现代的转向。论文以勋伯格的《歌曲二首》op.14以及贝尔格的《四首歌曲》op2为分析对象,结合文献研读以及音乐分析等方法,试图从自己当下的文化语境出发,对所选作品的音乐语言特征进行客观性的阐释,一方面有助于对其风格的准确把握,同时对声乐演唱与教学亦具有一定的实践指导意义,以期实现理论与实践相结合的双重目的。
[Abstract]:Since the classical and romantic period, Reed has become an important field for the creation of many German and Austrian composers.The tradition continued until the new Viennese music school, its style began the modern turn.Taking Schoenberg's "two songs" op.14 and Berg's "four songs" op2 as the objects of analysis, this paper attempts to proceed from its present cultural context by combining the methods of literature reading and music analysis.The objective interpretation of the musical language features of the selected works, on the one hand, helps to accurately grasp their style, but also has certain practical significance for singing and teaching vocal music.In order to achieve the dual purpose of combining theory with practice.
【作者单位】：天津音乐学院声乐系;
【分类号】：J605

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