泽纳基斯的马尔可夫链作曲技法研究及作品分析

发布时间：2018-04-11 05:07

  本文选题：泽纳基斯 + 马尔可夫链作曲　； 参考：《中央音乐学院》2017年博士论文

【摘要】：本文重点研究希腊裔法国籍作曲家泽纳基斯的马尔可夫链作曲技术理论与方法,通过三部作品分析进行论述。同时对泽纳基斯学习音乐的经历、创作理念进行研究、对泽纳基斯创作思路进行深入剖析,并简要论述了概率与马尔可夫链原理与音乐创作、分析之间的关系。泽纳基斯作为一位集工程师、建筑师、哲学家、思想家于一身的作曲家,他的创造基于他将艺术与科学相融合的理念。他运用数学原理马尔可夫链作为作曲理论基础与技术元素,是以假设声音作为粒子作为前提,这些声音粒子具有音高频率、力度范围与密度特征。他运用的重要音乐材料是由一定数量的“声音粒子“”组成的“音屏”或者由音乐织体构成的“织体屏”,同时运用马尔可夫链的“平稳阶段”与“波动阶段”对作品进行宏观与微观结构的控制。在宏观结构设计中,平稳阶段与波动阶段的“音屏”或“织体屏”的运用特点,是音乐段落生成的根据,微观结构的构建过程是通过运用马尔可夫链原理进行详细的运算,计算出音屏或织体屏的转换概率,从而确定音屏或织体屏的转换与演变的顺序,对音乐作品进行微观结构的控制。论文对泽纳基斯的马尔可夫链原理作曲的三个作品的分析分别侧重在不同角度:作品《类比A》分析侧重于马尔可夫链运算过程,确定平稳阶段与波动阶段的音屏转换与演变;《类比B》侧重声音粒子的合成;《希尔莫斯》侧重织体特征所构建的建筑形态以及滑奏模式分析。本文研究泽纳基斯对客观声音的组织方法,从数学原理寻求音乐的逻辑组织方法,在科学与艺术之间架起一座桥梁。他追求音乐创作作为一个有机体即内部逻辑结构一体化,但同时他又人为地控制这些因素,他的形式化音乐蕴含着数学思想与智慧,他用音乐表达智慧。他音乐的独特性与创见性,使其在历史上奠定了 20世纪后半叶重要作曲家的地位,同时他在音乐与科学之间的探索影响深远。
[Abstract]:This paper focuses on the theory and method of Markovian chain composition technique of Zenakis, a Greek French composer, and discusses it through the analysis of three works.At the same time, it studies Zenakis' music learning experience and creative idea, analyzes Zenakis' creative thinking deeply, and briefly discusses the relationship between probability and Markov chain principle and music creation.As a composer of engineers, architects, philosophers and thinkers, Zenakis based his work on the idea of combining art and science.He uses the mathematical principle of Markov chain as the theoretical basis and technical elements of composition, and assumes the sound as the premise of the particle. These sound particles have the characteristics of pitch frequency, intensity range and density.The important musical materials he used were "sound screens" made up of a certain number of "sound particles" or "texture screens" made up of musical fabrics.At the same time, the stable stage and fluctuating stage of Markov chain are used to control the macro and micro structure of the works.In the macro structure design, the application characteristics of the "sound screen" or "texture screen" in the stationary and fluctuating stages are the basis for the generation of music paragraphs, and the construction process of the microstructure is based on the use of Markov chain principle for detailed calculation.The conversion probability of sound screen or texture screen is calculated, and the order of transformation and evolution of sound screen or texture screen is determined, and the microstructure of music works is controlled.The analysis of three works of Zenakis' Markovian chain principle is focused on different angles: the analysis of < Analog A > focuses on the process of Markov chain operation.The transition and evolution of the sound screen in the stationary and fluctuating stages are determined; the synthesis of sound particles is emphasized in analogy B; and the architectural morphology and the skidding mode analysis based on the texture features are emphasized.This paper studies Zenakis' method of organizing objective sound, seeks the logical organization method of music from mathematical principle, and builds a bridge between science and art.He pursues music creation as an organism, that is, the integration of internal logical structure, but at the same time he artificially controls these factors. His formalized music contains mathematical thought and wisdom, and he expresses wisdom with music.The uniqueness and originality of his music have established his position as an important composer in the second half of the 20th century, and his exploration between music and science has a profound influence.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J614
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本文编号：1734540