琴声雅韵入画,悦目赏心高眠——宋代乐舞瓷枕上的中原音乐文化

发布时间：2018-04-11 08:28

本文选题：悦目赏心 + 音乐文化　；参考：《乐器》2016年08期

【摘要】：正宋元明清时期,宫廷音乐逐渐走向市井,一时"万家竞奏新声"。北宋之都开封,作为娱乐扬所的瓦舍、勾栏遍布汴梁四城,宋《东京梦华录》载北宋都市汴京:"街南桑家瓦子,近北侧中瓦,次里瓦,其中大小勾栏五十余座,内中瓦子莲花棚、牡丹棚,里瓦子夜叉棚、象棚最大,可容数千人。"宋元时都市的繁荣、商业资本的兴起,促使各种歌舞、戏曲、曲艺和杂技之类艺术获得长足发展,为近代民族音乐的发展奠定了丰厚的基础。音乐走出宫廷,由先前的贵族化趋于平民化,特别是音乐欣赏群体的改变,使音乐形式也因此得以极大
[Abstract]:During the Song, Yuan, Ming and Qing dynasties, court music gradually moved to the market.Kaifeng, the capital of the Northern Song Dynasty, was used as an entertainment center for Washe, and the hook bars were all over four Bianliang cities. Song's "Tokyo Meng Hua Lu" contained the city Bianjing of the Northern Song Dynasty: "Street Nan Sang Jia WA Zi, near the north side of the middle tile, sub-liva, of which there are more than 50 big and small bars."Inner-tile lotus shed, peony shed, Liwa night fork shed, the largest elephant shed, can accommodate thousands of people. "The prosperity of cities in Song and Yuan dynasties and the rise of commercial capital promoted the rapid development of various arts such as song and dance, opera, qu art and acrobatics, which laid a rich foundation for the development of modern folk music.Music went out of the palace, from the previous aristocratic to civilian, especially the music appreciation group changes, so that the music form can also be great.
【分类号】：J609.2

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