魏晋至南朝宋齐阮咸类琵琶与文士之关系

发布时间：2018-04-11 13:46

本文选题：魏晋 + 南朝宋齐　；参考：《中国音乐》2017年04期

【摘要】：魏晋时期,文士琵琶音乐文化渐兴。阮咸类琵琶是文士琵琶的主器,其存在及"琵琶"称谓,明确表述在多篇魏晋文人的《琵琶赋》中。魏晋名士成为推动阮咸类琵琶华化历史进程的行为主体。东晋至南朝宋、齐年间,阮咸类琵琶发展成熟,成为名士之器,以其独有的文化风貌存在于朝野之中。唐代将阮咸类琵琶冠以"阮咸"之名,用于文人雅集,视为雅声之器,这是后人对魏晋文士琵琶音乐文化历史印象的固化和定格。
[Abstract]:During the Wei and Jin dynasties, the literati's pipa music culture gradually flourished.Ruan Xian type pipa is the main organ of the scholar pipa. Its existence and the title of "pipa" are clearly expressed in many articles of the Fu of the pipa of the literati in Wei and Jin dynasties.The famous personages in Wei and Jin dynasties became the main body to promote the historical process of Ruan Xian's pipa.From the Eastern Jin Dynasty to the Southern Dynasty and Song Dynasty, during the Qi Dynasty, the Ruan Xian pipa developed mature and became the instrument of the famous people, which existed in the government and the opposition with its unique cultural features.In the Tang Dynasty, the name Ruan Xian was used in the collection of literati elegance, which was regarded as the instrument of elegant voice, which was the solidification and fixation of the historical impression of the literary scholars of Wei and Jin dynasties on the music and culture of pipa.
【作者单位】：中国音乐学院音乐学系;
【分类号】：J632.33

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