李斯特《钟》的版本对比与演奏分析

发布时间：2018-04-15 01:28

本文选题：李斯特《钟》 + 创作风格　；参考：《南京师范大学》2017年硕士论文

【摘要】：李斯特作为浪漫主义时期的代表人物,自幼便有过人的音乐才华,九岁时就登台演奏钢琴,是著名的音乐教育家和演奏家。李斯特的钢琴作品,集中体现出了浪漫主义的音乐色彩,在钢琴改编曲的创作过程中,融合了不同作曲家的风格,尤其在他早期的创作中,著名小提琴加家格尼尼对其有着颇深的影响。十首超级练习曲的第三首《钟》,改编自帕格尼尼《b小调第二号小提琴曲》的第三乐章,有着极高难度的演奏技巧,被誉为钢琴演奏技术中的一座高峰。李斯特的作品,注重思想和情感上的有效融合,浪漫气息浓厚,华丽的炫技技巧,给乐曲增添了不少难度。本文对李斯特在不同时期所创作的三个不同版本的《钟》进行探究, 分析它们的区别与特色同时选取了三位具有代表性的钢琴家的演奏版本,对比他们的异同,并着重对第三版本进行技术难点的研究。其中包括:远距离的音程大跳;快速的八度重复音;单手同时弹奏旋律和颤音;以及快速跑动的音群等,最终结合自身演奏经历,提出解决方法。
[Abstract]:As a representative of the Romantic period, Liszt was a famous music educator and performer who played piano at the age of nine.Liszt's piano works embody the musical color of romanticism. In the process of composing piano adaptation, he combines the styles of different composers, especially in his early creation.The famous violinist Giannini has a deep influence on it.The third of the ten super etudes, adapted from the third movement of Paganini's Violin No. 2 in B minor, has extremely difficult performance skills and is regarded as a peak in piano playing technology.Liszt's works, focusing on the effective integration of ideas and emotions, romantic atmosphere, gorgeous technical skills, added a lot of difficulty to the music.This paper probes into three different versions of Bell created by Liszt in different periods, analyzes their differences and characteristics, and selects the performance versions of three representative pianists to compare their similarities and differences.And focus on the third version of the technical difficulties.It includes: long distance big jump; fast octave repeat; single hand playing melody and trill at the same time; and fast running sound group and so on, finally combining with their own playing experience, put forward the solution.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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