当代西方音乐历史编纂的新趋势——以新近三部20世纪音乐断代史为例

发布时间：2018-04-15 16:28

  本文选题：音乐历史编纂 + 风格史　； 参考：《中央音乐学院学报》2017年03期

【摘要】：新近出版的诺顿"语境"系列和"剑桥"系列音乐史,明显突破单一的风格史模式,呈现出跨学科、多视角的文化批评模式。未来的音乐史学科将会容纳多种研究旨趣的存在,面对什么样的读者、解决什么样的问题、史家个人的研究特色,将决定历史书写的不同面貌。由多样性的历史书写构成的互补性的视域融合,有助于将"他者"转化成一种建设性的因素,有效避免音乐史曾经非此即彼的排他性与片面性。
[Abstract]:The newly published Norton "context" series and "Cambridge" series of music history obviously break through the single style history model and present a cross-disciplinary and multi-angle cultural criticism model.In the future, the subject of music history will accommodate the existence of many kinds of research purport, what kind of readers and how to solve the problems, and the characteristics of historians' individual research will determine the different features of historical writing.The complementary horizon fusion composed of diverse historical writing can help to transform the "other" into a constructive factor and effectively avoid the exclusiveness and one-sidedness of one or the other in the history of music.
【作者单位】： 中央音乐学院音乐学系;
【分类号】：J609.1
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本文编号：1754892