陕北沿黄三村的音乐生活研究

发布时间：2018-04-16 07:01

  本文选题：陕北 + 黄河　； 参考：《上海音乐学院》2016年博士论文

【摘要】：本文以“陕北沿黄村落的音乐生活”为考察对象,以陕西榆林佳县的南河底、木头峪、荷叶坪等村为田野考察地点,将当地流传的民歌、戏曲、说书、陕北大唢呐等艺术品种,纳入地理背景与村落生活之中考察,展示了丰富的人、音、地互动支撑关系。文章由绪论、五章及结论三部分构成。绪论部分对研究对象、目的、方法、范围等方面进行了介绍,对研究现状进行梳理归纳,提出本课题当下研究中存在的问题,引出本文的主要研究视域.本文第一章为“地理文化背景与村落田野叙事”,对村落音乐生活所依赖的历史地理样貌进行梳理与描述。通过地图、家谱、口述访谈及文献记录,详解介绍了三个村落的历史、地理位置、家族等情况。本文第二章为“村落音乐生活之面貌”,文章根据文字记录、口述访谈及田野观察三个方面,从县到村逐步考察了村落中音乐品类流布的历史与现状,以及这些音乐品种所反射出的生活样态。在村落这一原发性空间里,音乐以溶于传统生活的方式而存在。传统音乐各品种在村落中的流传、衰落与消亡,是对村落某种生产生活方式变化的反衬与对照。本文第三章为“村落生活与传统音乐”,主要从村落日常劳作、人生仪礼及节日庆典等三个方面,探讨了传统音乐在村落存在的背景。传统音乐在最原生的地方发生发展具有生活化、信仰化的特质,表达了对生命、生存的渴求,它依托生产生活方式而存在。本文第四章为“沿河村落传统音乐的地域特征”,本章以音乐形态分析为依据,并参证文献、口述及地理条件,分析沿河村落传统音乐所体现的地域特征。沿河村落流传的传统音乐,既存在山形所带来的封闭性,也体现出河流所带来的开放和交融性。这两种特征在不同的音乐体裁中有不同的表现,从而折射出”音——地——人”结构关系在实际情况下的多变和复杂。本文第五章讨论了“村落传统音乐生活的变迁”。文章通过对当下村落传统音乐生活现象的阐释,讨论变迁问题。村落留下的历史积淀,对生活惯习形成保护,附生于生活的音乐也就有其生存、繁衍的土壤。村民们旨在用音乐去认同一种生活习惯,而音乐,总是在找寻与时代生活最匹配的方式存在。最后本文将散布于各章的论点集合,树立了本文明确的思考和结论。
[Abstract]:This article takes "the music life of the village along the Yellow River in Northern Shaanxi" as the object of investigation, and takes the villages of Nanhedi, Muyu and Heye Ping in Yulin County, Shaanxi Province, as the field investigation sites. The local folk songs, operas, storytelling and other artistic varieties such as the Suona suona in Northern Shaanxi are put into practice.In the study of geographical background and village life, the rich interaction between people, sound and land is demonstrated.The article consists of three parts: introduction, five chapters and conclusion.The introduction part introduces the research object, purpose, method, scope and so on, combs and summarizes the present research situation, puts forward the existing problems in the current research of this topic, and leads to the main research horizon of this paper.The first chapter of this paper is "Geo-cultural background and village field narration", combing and describing the historical geographical features on which village music life depends.Through map, family tree, oral interview and document record, the history, geographical location and family of the three villages are introduced in detail.The second chapter is "the appearance of the village music life". According to the three aspects of written record, oral interview and field observation, the article gradually inspects the history and the present situation of the distribution of music in the village from county to village.And the life that these kinds of music reflect.In the primary space of the village, music exists in a way that is dissolved in traditional life.The spread, decline and extinction of each variety of traditional music in the village is the contrast and contrast to the change of a certain way of production and life in the village.The third chapter of this paper is "Village life and traditional music", mainly from the village daily work, life ceremony and festival celebration, discusses the background of traditional music in the village.The development of traditional music in the most original place has the characteristics of life and belief, which expresses the desire for life and survival, and it exists on the basis of production and life style.The fourth chapter is "the regional characteristics of the traditional music in the villages along the river". This chapter is based on the analysis of the music form, and refers to the literature, oral and geographical conditions to analyze the regional characteristics of the traditional music in the villages along the river.The traditional music spread along the river not only exists the closure brought by the mountain shape, but also reflects the opening and blending brought by the river.These two characteristics are different from each other in different musical genres, thus reflecting the variety and complexity of the "voice-earth-human" structure in the actual situation.The fifth chapter discusses the changes of traditional music life in villages.Through the interpretation of the phenomenon of village traditional music life, this paper discusses the problem of change.The historical accumulation left by the village protects the habit of life, and the music attached to life also has its own soil for survival and reproduction.Villagers use music to identify with a living habit, and music is always looking for the best way to match life with the times.Finally, the thesis sets up the clear thinking and conclusion of this paper.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J607
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本文编号：1757774