当代“花儿”歌手对“河州花儿”流变的影响

发布时间：2018-04-17 01:06

  本文选题：河州花儿 + 花儿歌手　； 参考：《西北民族大学》2017年硕士论文

【摘要】：河州花儿广泛流行于我国甘肃、青海、新疆、宁夏等西北部省区,是由回族等九个民族共同创造的民歌。河州花儿是宝贵的非物质文化遗产,被西北人民称之为"生命之歌"。花儿歌手是河州花儿的创造者,也是传唱者,可以说是河州花儿的灵魂。他们用真情实感来创作河州花儿,演唱河州花儿,抒发自己对美好生活与爱情的感叹。每一首传唱至今的河州花儿,都是一个又一个花儿歌手日夜呕心吟唱之作。本文分为四个章节,先为绪论,后从花儿的历史、分类、演唱场合及河州花儿的特点几个方面概述花儿,将花儿置入民族音乐学历时和共时的空间来全面解读花儿。第三章通过马尔洒为代表的三位花儿歌手在唱词、曲令、唱法上的原生态呈现,将其置于文化生态整体内,体现出花儿群体音乐意识中花儿歌手在曲令、唱词、唱法上的花儿审美意境。综合加以观察、描述、分析,花儿歌手最大限度的保留了花儿的神韵。当河州花儿在语言、唱词、唱法、曲令上哺育了花儿歌手后,优秀花儿歌手从中成长起来。当花儿的某些技术手段不能满足花儿歌手的表现欲望时,优秀花儿歌手开始丰富、打扮花儿。第四章就以何清祥、马红莲、马忠伟等花儿歌手对花儿曲令的改编创作、演唱方式及表演形式的改良,映射出河州花儿当下的存活现状,获得对研究对象的主观反思。通过调查花儿传承人,记录花儿歌手演唱。将花儿的传承、发展呈现出来。透过花儿演唱,映射出花儿传承人、公认的优秀花儿歌手所做的努力与贡献,是民族音乐学者的历史责任。
[Abstract]:Hezhou flowers are widely popular in Gansu, Qinghai, Xinjiang, Ningxia and other northwestern provinces and regions, is a folk song co-created by the Hui nationality and other nine ethnic groups.Hezhou Flower is a precious intangible cultural heritage, which is called "Song of Life" by people in Northwest China.The flower singer is the creator and singer of Hezhou flower, and it is the soul of Hezhou flower.They use true feelings to create Hezhou flowers, sing Hezhou flowers, express their feelings for the beautiful life and love.Every Hexian flower that has been sung so far is a song by a flower singer day and night.This article is divided into four chapters, first for the introduction, then from the flower history, classification, singing occasions and the characteristics of flowers in Hezhou to outline the flowers, put flowers into the national music education and synchronic space to comprehensively interpret flowers.In the third chapter, the original ecology of the three flower singers represented by Marsler is presented, which is put into the whole of culture and ecology, which reflects the music consciousness of the flower group in the singing order, singing words.The aesthetic conception of flowers in singing.Comprehensive observation, description, analysis, flower singer to the maximum extent to retain the charm of flowers.When Hezhou flowers in language, singing words, singing style, song order nurtured the flower singer, the excellent flower singer grew up.When some technical means of flower can not satisfy the performance desire of flower singer, the excellent flower singer begins to enrich and dress up flowers.The fourth chapter is based on he Qingxiang, Ma Honglian, Ma Zhongwei and other flower singers' adaptation and creation of Huayuan qu, singing style and improvement of performance form, which reflects the present living situation of Hezhou Flower, and obtains subjective reflection on the object of study.Through the investigation of the flower inheritor, record the singing of the flower singer.The inheritance and development of flowers are presented.Through the singing of flowers, it is the historical responsibility of folk music scholars to reflect the efforts and contributions made by outstanding singers of flowers.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607

【参考文献】

中国期刊全文数据库 前1条

1 曹章琼;;试论“花儿”的演唱方法[J];中国音乐;2006年02期

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本文编号：1761368