《中国北方民歌合唱曲集》混声无伴奏合唱中的复调思维

发布时间：2018-04-19 15:28

本文选题：复调思维 + 对比复调　；参考：《山西师范大学》2017年硕士论文

【摘要】：与其他混声合唱曲的写作相比,把一首首耳熟能详的、有影响的民歌曲调改编成混声合唱,在创作上是颇有难度的。在《中国北方民歌合唱曲集》这部作品中,汇集了作曲家芝达林在多声部作曲技术方面的创作思维,表现出西方作曲技法与中国民族音乐相结合所产生的艺术魅力,堪称一部佳作。本文对《中国北方民歌合唱曲集》混声无伴奏合唱中的复调思维进行研究。全文由绪论、五个章节以及结语组成。绪论旨在阐述本文的选题缘由、相关领域研究的现状、研究的目的与意义及研究的具体方法。五个章节主要从以下几个方面完成对本选题的研究:一、支声音乐手法的分析;二、模仿复调手法的分析,主要分为:定格式模仿、变格式模仿与固定音型式模仿等三种手法。其中,变格式模仿采用了减缩性模仿、裁截性模仿、迭奏性模仿、合头换尾式模仿与变化扩大式模仿等手法;三、对比复调手法的分析,主要分为:固定音型化衬托声部的手法、固定和声化衬托声部的手法、呼应式对比复调、性格化对比复调等四种手法;四、复对位手法的分析,包括二声部、三声部与四声部复对位等三种手法;五、赋格段手法的分析。通过上述的分析与研究,可深刻地理解作曲家所使用的每一种技术手法的创作意图与意义,亦可深入了解这些混声无伴奏合唱作品的创作思维,借此解读作曲家的音乐语言风格,以达到对于这部作品的音乐本体分析的目的。本课题的研究,将对于作曲专业的教学与艺术实践具有重要的指导意义。
[Abstract]:Compared with the writing of other mixed chorus songs, it is difficult to adapt a first familiar and influential folk song into a mixed chorus. In the composition of the chorus of the northern Chinese folk songs, the composer Zhi Dalin's creative thinking in the multipart composing technique is collected, showing the techniques of western composing and the technique of composing. The artistic charm produced by the combination of Chinese folk music can be called a masterpiece. This article studies the polyphonic thinking in the chorus of folk songs in northern China. The full text is composed of the introduction, five chapters and the conclusion. The introduction aims to explain the origin of the topic, the status of the research in the related fields, the purpose of the study and the purpose of the study. The five chapters complete the research on the topic from the following aspects: first, the analysis of the musical instruments of the branch sound; two, the analysis of the mimic polyphony is divided into three methods: the fixed format imitation, the variant form imitation and the fixed sound pattern imitation. Sexual imitation, repetition, tail change and enlargement of imitation. Three, the analysis of the contrastive polyphony is divided into four methods: fixing the sound part of the sound part, fixing and soning the sound part, the contrast polyphony, the character contrast polyphony and so on; four, the analysis of the complex counterposition technique, including two Three kinds of techniques, such as the sound part, the three sound part and the four voice part, and the analysis of the Fugue section. Through the analysis and research above, we can deeply understand the creative intention and significance of each technique used by the composer, and also understand the creative thinking of these mixed chorus works, and to interpret the composer's musical language. The study of this topic will be of great guiding significance to the teaching and art practice of the composing profession.

【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.2

【参考文献】