族群边界与音乐认同——冀北丰宁满族“吵子会”音乐的人类学阐释

发布时间：2018-04-20 00:14

本文选题：丰宁 + 满族　；参考：《中央音乐学院学报》2017年02期

【摘要】：河北丰宁满族"吵子会"的族群边界与音乐认同变迁轨迹,体现出乐人族群身份边界的移动和维持,这是他们所处时代主流文化认同以及分享国家与社会资源背景下的一种现实性选择,亦是满族传统音乐文化的重构物,同时还彰显出对汉族传统音乐文化的"结构性失忆"。它说明中国少数民族传统音乐的族性界定并非完全是由文化趋同性特征决定的,而是社会资源竞争背景下的群体主观建构物。同一民间乐种由于族性不同,导致分享国家、社会资源的命运与结局也各不相同。当下的"非遗"申报是国家各级文化部门、学者和地方民间艺人充分运用"地方性知识"建构而成的旨在保护我国传统音乐的一场文化"运动"。
[Abstract]:The ethnic boundary and the track of music identity change of the "Liaozi Club" of the Manchu nationality in Fengning County, Hebei Province, reflect the movement and maintenance of the ethnic identity boundary of the Yue people. This is a realistic choice under the background of mainstream culture identity and sharing of national and social resources in their time. It is also the reconstruction of Manchu traditional music culture, and it also highlights the "structural amnesia" of traditional music culture of Han nationality. It shows that the definition of nationality in Chinese traditional music is not entirely determined by the characteristics of cultural convergence, but the subjective construction of the group under the background of social resource competition. The same folk music species, due to different ethnic groups, lead to the sharing of the country, and the fate and outcome of social resources are different. The present "non-posthumous" declaration is a cultural "movement" constructed by the cultural departments, scholars and local folk artists at all levels of the country to protect Chinese traditional music by making full use of "local knowledge".
【作者单位】：河北师范大学音乐学院;
【基金】：河北省教育厅人文社科重点项目“历史民族音乐学视域下的丰宁满族‘吵子会’研究”(编号:SD151100)阶段性成果
【分类号】：J607

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