洪洞三月三走亲仪式音声研究

发布时间：2018-04-23 22:16

本文选题：走亲 + 情境　；参考：《山西师范大学》2017年硕士论文

【摘要】：在山西省洪洞县的羊獬村村民和万安、历山村村民眼中,每年的三月三是一个大日子,每到这一天,人们都要举行仪式去历山接“姑姑”回羊獬的娘家。在仪式进行中,包括两部分:纯仪式进行包括请神、祈神、送神,纯音乐进行包括威风锣鼓的表演部分。本文将会从音声的角度出发,将音声与仪式结合,以此来探求仪式用乐功能性是什么?仪式与音乐何以结合?最后从民族音乐学的学科角度探寻结合的原因和价值。第一个重点是,主要介绍了三月三走亲仪式的情境及过程,认为走亲仪式是洪洞县民间信仰的表现形式,是以仪式为载体、以神话传说为背景、以锣鼓乐表演为媒介、以宗亲为血缘联系纽带。第二个重点是,从音乐本体出发,讲音声主要限定在走亲仪式的文化背景中,因为这种特殊的音声往往只能在一定的时间、空间中进行,局外人所听到的锣鼓等声,都是司空见惯的,然在三月三走亲仪式的特定场合下,锣鼓等音声被赋予了神性色彩,锣鼓等音声不再是简单的音声,一方面传递了局内人的信仰,另一方面也解释了这种仪式音声和相关的仪式之所以能延续下来的原因。第三个重点是,接姑姑的走亲仪式的音乐研究,是笔者运用民族音乐学的三分模式、跨学科研究仪式音声的所进行的个案研究,由于仪式音乐的丰富性以及研究需要跨学科性,除了研究仪式的现实存在,也要研究仪式存在的历史原因,做到历史与现实的接通,以此来解释走亲仪式音乐的文化复杂过程,并由此确立了以人、事、物的仪式行为为中心。
[Abstract]:In the eyes of the villagers of Yangyue Village and Wan'an and Lishan Village in Hongdong County, Shanxi Province, March 3 every year is a big day. Every day, people will hold a ceremony to receive "Aunt" back to her mother's home. In the course of the ceremony, there are two parts: pure ritual includes inviting God, praying for God, sending God to God, and performing pure music including grand gongs and drums. This article will proceed from the sound sound angle, will combine the sound sound with the ceremony, thus will seek the ritual music function to be what? How can ceremony and music be combined? Finally, from the point of view of ethnomusicology, explore the reason and value of the combination. The first key point is that it mainly introduces the situation and process of the March 3 walking ceremony. It considers the ceremony to be the expression form of the folk belief in Hongdong County. The ceremony is the carrier of the ceremony, the background of the myth and legend, and the performance of the gongs and drums as the medium. Take the kinship as the blood link. The second point is that, starting from the music itself, the sound of the speech is mainly confined to the cultural background of the ceremony of walking, because this kind of special sound is often carried out only in a certain time and space, and the sounds of gongs and drums heard by outsiders, etc. They are commonplace, but on the specific occasion of the March 3 ceremony, the sounds of gongs and drums were given a divinity color, and the sounds of gongs and drums were no longer simple sounds. On the one hand, they conveyed the beliefs of insiders. On the other hand, it also explains why this kind of ritual sound and related rituals can continue. The third key point is that the music research on the walking ceremony of aunt is a case study of the cross-disciplinary study of ritual sound by using the three-point model of ethomusicology. Because of the richness of ritual music and the need for interdisciplinary research, In addition to studying the reality of ritual, we should also study the historical reasons of ritual existence, so as to make the connection between history and reality, so as to explain the complex cultural process of ritual music, and thus establish the ritual behavior of people, things and objects as the center.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607

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