中国西北地方题材钢琴作品研究

发布时间：2018-04-24 02:35

本文选题：西北地区 + 少数民族民间音乐　；参考：《宁夏大学》2017年硕士论文

【摘要】：西北地方题材钢琴作品是中国钢琴作品中重要组成部分,也是中国风格钢琴作品中的一个代表。作曲家们以西北地区民族民间音乐为创作素材,既是对我国优秀传统音乐很好的继承;又通过钢琴这一多声部思维乐器使那些逐渐脱离当代人审美情趣的民族民间音乐获得了新的艺术生命和新的表现力。本文以西北地区少数民族民间音乐为素材的钢琴作品作为研究对象,旨在探究其发展趋势,分析其创作技法、暗含的多方民族音乐文化融合等问题。首先,在总结性的概述西北地方题材钢琴作品(以下简称作品)历史发展进程、地位与成因,并做出简要分析的基础上,对已出版的西北地方题材钢琴作品进行梳理,结合表格对其进行分类,并选取部分作品进行曲式结构、音乐发展分析。接着以中西音乐文化融合为前提,针对作品中的旋律、调性与和声、曲式结构、民族化节奏、复调技法这五个方面探究其中西音乐文化融合的表现。之后以西北地区少数民族与我国音乐发展关系为前提,着重对个别少数民族音乐文化进行讨论,并以此为依据来探究作品中所包含的少数民族与兄弟民族音乐文化融合现象。笔者期望能以此研究为以后的西北地方题材钢琴作品的创作、演奏与西北地方民族民间音乐工作提供一些可借鉴的结论与经验。
[Abstract]:The piano works of Northwest China is an important part of Chinese piano works and a representative of Chinese piano works. The composers take the folk music of Northwest China as the creation material, which is a very good inheritance to the excellent traditional music of our country. Through piano as a multi-part thinking instrument, those folk music which gradually deviated from the aesthetic taste of contemporary people gained a new artistic life and new expressive power. This paper takes the piano works of minority folk music in Northwest China as the object of study, aiming at exploring its development trend, analyzing its creative techniques, and the implied problems such as the fusion of many kinds of national music and culture, and so on. First of all, on the basis of summing up the historical development process, status and causes of the Northwest Local Piano works (hereinafter referred to as the works), and making a brief analysis, the published Northwest Local Piano works are sorted out. Combined with the table to classify it, and selected parts of the works progressive structure, music development analysis. Then, on the premise of the fusion of Chinese and western music culture, this paper probes into the performance of the fusion of western music and culture in the five aspects of melody, tonality and harmony, musical structure, national rhythm and polyphonic techniques. On the premise of the relationship between ethnic minorities in Northwest China and the development of music in China, this paper focuses on the discussion of the music culture of individual ethnic minorities, and explores the phenomenon of the fusion of the music and culture of ethnic minorities and brotherly nationalities in the works. The author hopes that this study can provide some conclusions and experiences for the future creation, performance and folk music work of the Northwest area piano works.
【学位授予单位】：宁夏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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