王西麟钢琴组曲《晋风》之《托卡塔：开花调》音乐分析及演奏探究

发布时间：2018-04-25 03:37

本文选题：晋风 + 托卡塔:开花调　；参考：《武汉音乐学院》2017年硕士论文

【摘要】：王西麟先生是当代著名的作曲家,他善于运用西方作曲技法与中国民族民间音乐元素相结合,作品思想深刻,充满矛盾,富有戏剧性,1998年,王西麟先生创作了钢琴组曲——《晋风》,这是作曲家迄今为止唯一的一部钢琴组曲。该作品具有浓郁的山西民间音乐特色,其中第二首《托卡塔:开花调》大胆的把托卡塔这种音乐形式与山西民歌开花调相结合,描绘出作者在山西生活的心境。笔者选择《晋风》中第二首《托卡塔:开花调》作为研究对象,旨在从中西音乐创作技法和中国民间音调两个方面进行分析,结合作曲家的人生经历,试图在演奏上探讨“托卡塔”和“开花调”在作品风格和作曲家情感表达方面的作用及意义。文章分为三章,第一章对钢琴组曲《晋风》的创作背景进行梳理与描述;第二章重在剖析《托卡塔:开花调》的作曲技术理论与方法,第三章对该曲的演奏及处理手法进行演奏探究。
[Abstract]:Mr. Wang Xilin is a famous contemporary composer. He is good at combining Western composing techniques with the elements of Chinese folk music. His works are deep in thought, full of contradictions, and full of drama. In 1998, Wang Xilin wrote Piano Suite-Jin Feng, the only piano suite ever written by a composer. This work has strong characteristics of Shanxi folk music, and the second one, "Tokata: flowering tone", boldly combines the music form of Tokata with Shanxi folk songs, and depicts the author's mood of living in Shanxi. The author chooses the second song "Tokata: the Flower tone" in Jin Feng as the object of study, aiming at analyzing the Chinese and Western music creation techniques and Chinese folk tones, and combining the composer's life experience. This paper attempts to explore the role and significance of Tokata and Flower tone in the style of works and the emotional expression of composers. The paper is divided into three chapters. The first chapter combs and describes the background of piano suites, the second chapter focuses on the analysis of the technical theory and methods of composition in Tokata: flowering tone. The third chapter explores the performance and handling of the music.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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