海南黎族民歌文化研究

发布时间：2018-04-28 16:14

  本文选题：黎族民歌文化 + 演唱特征　； 参考：《东北师范大学》2016年博士论文

【摘要】：黎族民歌是黎族文化中最为绮丽的明珠。多年来,广大音乐工作者一直致力于黎族民歌的搜集、整理,目前为止已经出版了数十部黎族民歌集,为黎族民歌的保护与传承留下了弥足珍贵的资料。近年来,黎族民歌研究取得了较有成效的喜人成果,但多数研究局限于黎族民歌本身,而对于更深层次的探究则相对匮乏,这不得不令人深思。民歌源于生活,源于人的精神需求,它是语言的升华,是情感的凝练,因而其背后蕴藏的丰富文化景观才是民歌传承的真谛,故民歌文化的探究应当成为音乐工作者倾心关注的焦点。本文将研究的立足点定位为"黎族民歌文化",旨在通过对大量黎族民歌的分析、厘定,并运用音乐人类学的理论方法去窥探黎族民歌文化的璀璨蕴意,同时也期盼本研究能够推进黎族民歌文化研究的长足发展,同时也希冀本研究能够促进、充盈民族声乐理论的研究。民歌是黎族人民喜闻乐见的抒怀方式,尤其是对于一个没有文字的民族来说,民歌的口 口相传足以见证这种艺术形式是黎族人交流中至关重要的情表方式。而这种情表方式是通过民歌的演唱来实现的,黎族民歌的演唱之所以能够映现其独特的民族风格,意义在于黎族民歌的演唱包括黎族人对于自身声音的驾驭,同时也包括他们对于民歌文化的体悟,黎族民歌文化的彰显才是演唱黎族民歌至今的重要价值体现。换言之,浸透于歌词与曲调中的民歌文化彰显黎族族性发展的演进历程;展现黎族人民善良果敢、热情好客等性情特质;映现黎族人民生活情态的民俗特征。故此,研究黎族民歌文化是秉持黎族民歌演唱风格的重要依据。基于此,本研究的创新之处在于通过解析大量的黎族民歌,探析黎族民歌的演唱特征及其文化价值。本文主要分为引论、正文(七章)。第一章:黎族民歌文化研究的理论视界。其一,从阐释音乐人类学的思维理路入手,就其研究音乐文化的终极目标展开论述,解读音乐人类学"以人为本"的核心理念。其二,阐明民歌文化研究需要音乐人类学的价值指向与理论牵引。民歌依存于人、依存于人的生活,具有现实性、群体性,是人对于周边事物的一种情感表态。因此,在音乐人类学的视域下看待民歌,它不仅仅是一种艺术形式、亦是一种文化现象、更是一种传承方式。在这样的理论视域中,我们能够追悟到的民歌蕴意,不仅在于民族音乐本身,而是更深层次的挖掘与探析一个民族的文化特征,从而更加全面地、真切地彻悟到一个民族的文化精髓。其三,论述音乐人类学对于黎族民歌文化研究的思想引领。主要从音乐人类学的核心理念对于黎族民歌文化研究的指导意义、音乐人类学的历史研究视角对于黎族民歌文化历史研究的指导意义、音乐分析的理论观点对于黎族民歌演唱特征、音乐特征研究的思路牵引与文化价值相对论的观点对于黎族民歌文化价值研究的指导意义四个方面来阐述。依据音乐人类学观点,从文化根基上把握黎族民歌,扩展黎族民歌研究的视野;进而以音乐人类学的思想引领黎族民歌文化的研究,探寻黎族民歌的演唱特征,感司内蕴于黎族民歌的文化精神等等,这对于黎族民歌文化的保护、传承与创新意义重大。第二章:黎族民歌文化发展的历史演进过程。民歌是劳苦大众的心声。不同时期的民歌反映黎族人民精神文化的不同需求,从不同角度映射着黎族人民对于人类起源、劳动、生活、社会变革、民风民俗的视见,这是黎族发展进程中黎族人随时代变迁而逐渐形塑的体现,是丰盈的民歌文化的基垫。本章主要从黎族的族源及其族性特点、黎族的历史与文化、黎族民歌文化历史发展进程及其演进规律进行较为详尽的阐述。通过零散的古籍记载到歌词的抒情达意,着重梳理黎族民歌文化日益丰厚的繁荣过程,并从世代绵延的民歌文化发展中提炼总结民歌衍展的演进规律。第三章:黎族民歌的田野调查纪要。田野调查是音乐人类学的重要研究方法,本章主要运用这种研究方法真实、客观地记录黎族民歌的遗存状态,主要以依存于宴饮中的民歌、婚俗仪式与祭祀仪式中民歌的现状,以及对民歌传承人、民间歌手的访谈为依据,论述黎族民歌的现实生存境域。通过田野调查,亲睹原生态黎族民歌歌唱的本真韵味,感受民歌背后的丰硕文化,体悟黎族民歌文化的真正意谛。第四章:黎族民歌的演唱特征。黎族民歌是通过口口相传的方式延续至今的。歌唱是黎族民歌传承、沿革的唯一方式。本章主要根据黎族民歌的历史发展进程、黎族民歌的田野调查及相关文献,总结、提出并阐释了黎族民歌的演唱特征。主要从黎族民歌的歌词特征、黎族民歌的演唱形式、黎族民歌的唱调特点以及黎族民歌的润腔特征等四个方面阐述了黎族民歌的演唱特征。第五章:黎族民歌的音乐特征。本章通过整理、剖析大量民歌阐述黎族民歌的题材分类、曲体结构、旋律、节拍节奏及调式等特点。其中,黎族民歌中装饰音的作用,由宫、商、徵、羽四音列构成的调式音阶等都为黎族民歌的民族色彩增添了更为浓重的一笔。在阐述民歌本体的同时,也从文化的视角解析了黎族民歌的音乐特征,包括具有黎族特色的民歌曲调、节奏节拍、调式等音乐特征,而成为别具匠心的民族文化。第六章:黎族民歌的文化价值。黎族民歌的文化价值是黎族民歌承袭至今的意义所在,是黎族人视待黎族民歌的认知评价,因此,探析黎族民歌的文化价值对于秉承黎族民歌的传承具有重要的价值、意义。其一、黎族民歌彰显民族精神的价值。民族精神的特质展现着一个民族的灵魂所在,黎族民歌对于凝聚黎族民族精神具有重要意义,同时对于黎族同胞民族认同感的营造也具有重要的推动作用。其二,黎族民歌对于追求社会进步与美好生活的价值不容忽视。任何一个民族、任何一个人都有向往美好生活的夙愿,黎族人民亦如此。他们亲善友爱、果敢坚韧,对于自由平等的社会、对于美好的生活充满着希冀,而民歌则成为黎族人民此时的意表方式,用以激励自己、鼓舞自己,战胜磨难、勇敢的前行。其三,黎族民歌呈现多重审美的价值。黎族民歌的实用之美、愉悦之美、自由之美以及动态之美,无不展现于短小精悍的民歌之中,而这些多重美感的民歌亦展现着黎族人乐观向上、与时俱进等性格特点。其四,就黎族民歌引领黎族音乐文化的艺术价值展开详细的阐述。黎族民歌不仅是黎族音乐中的重中之重,同时对于其他姊妹艺术也具有推波助澜的作用,对于海南地方音乐文化来说也是支柱性的文化艺术,故黎族民歌的文化价值不容小觑。第七章:黎族民歌文化的保护与传承。之所以研究黎族民歌文化,包括黎族民歌文化历史、黎族民歌的演唱特征、音乐特征、文化价值等等,其终极目标就是为了更好地保护与传承黎族民歌。因此本章主要从以下几个方面阐述:其一,通过实地调研,论述黎族民歌文化保护与传承的现状并加以分析。其二,总结反思黎族民歌文化保护与传承中存在的问题及其成因。其三,针对问题提出相应的对策思路,试图为推进黎族民歌的保护与传承工作提供行之有效的具体路径。
[Abstract]:Li nationality folk song is the most beautiful pearl of the Li nationality culture. Many musicians have been working on the collection and arrangement of the folk songs of Li nationality for many years. So far, dozens of Li folk songs have been published, which have left valuable information for the protection and inheritance of the folk songs of the Li nationality. But most of the research is limited to the Li Folk Song itself, but the deeper exploration is relatively scarce, which has to be thought-provoking. The folk songs originate in life, originate from the spiritual needs of the people, it is the sublimation of language and the feeling of emotion, so the rich cultural landscape behind it is the true meaning of the folk song inheritance, so the folk song culture The research should be focused on the attention of the musicians. This paper focuses on the "Li nationality folk song culture", aiming at the analysis of a large number of Li nationality folk songs, and using the theoretical method of musical anthropology to explore the bright implication of the folk folk song culture of Li nationality, and also hopes that this study can promote the culture of the Li nationality folk songs. The research has made great progress and hopes that this study can promote the study of the theory of national vocal music. Folk songs are the lyrical ways of the people of the Li people. Especially for a nation without words, the mouth and mouth of the folk songs are enough to witness that this art form is a very important form of expression in the communication of the Li people. It is realized by the singing of folk songs. The singing of the Li nationality folk songs can reflect their unique national style. The meaning lies in the singing of the Li nationality folk songs including the Li nationality's control of their own voice, but also their understanding of the folk song culture. The expression of the culture of the Li nationality folk songs is to sing the folk songs of the Li nationality to the people. In other words, the folk song culture, soaked in the lyrics and tunes, shows the evolution of the ethnic development of the Li nationality, showing the character of the kind and courageous and hospitable nature of the Li people, and reflecting the folklore characteristics of the life style of the Li people. Therefore, the study of the folk song culture of the Li nationality is an important basis for the singing style of the Li nationality folk songs. Based on this, the innovation of this study is to analyze the characteristics and cultural values of the Li Folk Songs by analyzing a large number of Li Folk Songs. This article is mainly divided into introduction, the main body (seven chapters). Chapter 1: the theoretical horizon of the study of the culture of Li Nationality Folk songs. The ultimate goal is to expound and interpret the core concept of "people-oriented" in musical anthropology. Secondly, the study of folk song culture needs the value orientation and theoretical traction of music anthropology. The folk songs depend on people, depend on people's life, are realistic and group, and are a kind of emotional expression to the surrounding things. Therefore, in the music human beings It is not only an artistic form, but also a cultural phenomenon, and a kind of inheritance way. In this theoretical horizon, the implication of the folk songs we can realize is not only the national music itself, but the deeper excavation and exploration of the cultural characteristics of a nation, so as to be more comprehensive and true. Third, it discusses the guiding significance of musical anthropology to the study of the folk song culture of Li nationality, the guiding significance of the core concept of musical anthropology to the study of the culture of the Li nationality, the guiding significance of the historical study of musical anthropology on the study of the culture and history of the Li nationality folk songs, and the musical score. The analysis of the theoretical views on the characteristics of the Li Folk Songs, the idea of the study of musical features and the theory of relativity of cultural values to the four aspects of the guiding significance of the study of the cultural value of the Li nationality folk songs. The thought of music anthropology leads to the study of the folk song culture of Li nationality, exploring the singing characteristics of the folk songs of Li nationality, the cultural spirit of the Li nationality folk songs, and so on. This is of great significance to the protection, inheritance and innovation of the culture of the Li Nationality Folk songs. The second chapter is the evolution process of the history of the development of the culture of the Li nationality folk songs. The period of folk songs reflect the different needs of the spiritual culture of the Li people. From different angles, it is a reflection of the people's origin, labor, life, social change and folk custom. This is the embodiment of the Li Nationality in the course of the development of the Li nationality, which is the basis for the rich folk song culture. This chapter mainly from the Li nationality. The origin and its ethnic characteristics, the history and culture of the Li nationality, the course of the development and evolution of the culture and history of the folk songs of the Li nationality are elaborated. The lyric content of the lyrics is recorded through the scattered ancient books, and the growing prosperity process of the culture of the Li folk folk songs is emphasized, and the folk songs are abstracted from the development of the folk song culture for generations. The third chapter: the field survey of the folk songs of Li nationality. Field investigation is an important research method of music anthropology. This chapter mainly uses this research method to record the state of the remains of the folk folk songs objectively, mainly depending on the folk songs in the banquet, the status of the folk songs in the wedding ceremony and the sacrificial rites, and the people. On the basis of interviews with folk songs and folk singers, this paper discusses the real living conditions of the folk songs of Li nationality. Through field investigation, we see the true flavor of the original ecological Li Folk Songs, feel the rich culture behind the folk songs and realize the true meaning of the culture of the folk songs of Li nationality. The fourth chapters are the singing characteristics of the Li nationality folk songs. The Li nationality folk songs are passed through the words of mouth and mouth. The singing is the only way of the inheritance and evolution of the Li nationality folk songs. This chapter mainly according to the historical development process of the Li nationality folk songs, the field investigation and related literature of Li nationality folk songs, summarizes and explains the singing characteristics of Li nationality folk songs, mainly from the lyrics characteristics of Li nationality folk songs, the singing forms of Li nationality folk songs, Li nationality people. The singing characteristics of the song and the characteristics of the Li Folk Song's moistening cavity are expounded in four aspects. The fifth chapter: the musical characteristics of the Li nationality folk songs. This chapter analyzes the characteristics of the theme classification, the structure of the music, the melody, the rhythm and the style of the Li nationality folk songs. The function, such as the Palais, the quotient, the symbol of the four tones of the feather, added a more strong point to the national color of the Li nationality folk songs. At the same time, the musical features of the folk songs of the Li nationality were analyzed from the cultural perspective, including the folk songs with the Li characteristics, rhythmic rhythms, and other musical features. The cultural value of the sixth chapters: the cultural value of the Li nationality folk songs. The cultural value of the Li nationality folk songs is the significance of the inheritance of Li nationality folk songs to the present. It is a cognitive evaluation of the Li people as the folk songs of Li nationality. Therefore, the analysis of the cultural value of the folk songs of the Li nationality has important value and significance for the inheritance of the Li nationality folk songs. Song shows the value of national spirit. The characteristics of national spirit show the soul of a nation. The folk songs of Li nationality are of great significance to coacerate the spirit of the Li nationality, and also play an important role in the construction of the national identity of the Li nationality. There is a long cherished desire for a good life for any nation, any one of them, and the people of the Li people. They are friendly and tenacious. They are full of hope for a free and equal society and a good life. And the folk songs are the way for the Li people to inspire themselves, inspire themselves, overcome the hardships and bravery. Three, Li nationality folk songs present multiple aesthetic values. The practical beauty of the Li nationality folk songs, the beauty of pleasure, the beauty of freedom and the beauty of the dynamic are all displayed in the short and vigorous folk songs, and these multiple aesthetic folk songs also show the character characteristics of the Li people's optimism and time, and the fourth, Li nationality folk songs lead Li. The artistic value of the ethnic music culture is elaborated in detail. The Li nationality folk song is not only the top priority of the Li nationality music, but also has the role of promoting the other sister arts, and it is also a pillar culture and art for the local music culture of Hainan. Therefore, the cultural value of the Li folk folk songs should not be underestimated. The seventh chapter: the Li nationality folk song The protection and inheritance of culture, the reason why the study of Li folk folk song culture, including the culture and history of Li folk folk songs, the singing characteristics of Li nationality folk songs, music characteristics, cultural value and so on, the ultimate goal is to better protect and inherit the Li folk folk songs. The present situation and analysis of the protection and inheritance of folk song culture are analyzed. Secondly, the problems and their causes in the protection and inheritance of the culture of the Li folk folk songs are summarized. Thirdly, the corresponding countermeasures are put forward in order to provide an effective and concrete way to promote the protection and inheritance of the folk songs of the Li nationality.

【学位授予单位】：东北师范大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J607
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本文编号：1815985