礼俗仪式音乐价值的文化认知——从波斯—阿拉伯玛卡姆的起源“集会”仪式谈起

发布时间：2018-04-29 01:20

  本文选题：现实实有 + 永恒客体　； 参考：《中国音乐学》2017年02期

【摘要】：礼俗“集会”仪式的音乐活动与“永恒客体”的音乐形式是两种类型音乐的文化存在,而非所谓“进步”与“落后”的两种存在。东方音乐的玛卡姆、曲牌、拉格都是在一种音乐活动中的表现,而非固定的音乐“曲式”,东方与西方音乐是两种不同类型的音乐——“现实实有”音乐与“永恒客体”音乐。文章分为四个部分:一、“集会”仪式是阿拉伯文学玛卡梅与音乐玛卡姆的起源;二、“曲式”作为“永恒客体”音乐与“集会”仪式作为“现实实有”音乐的差异;三、“现实实有”音乐和“永恒客体”音乐的时空身体认知的差异性;四、现象科学视野下的音乐身体的“境遇化”与“非境遇化”空间。
[Abstract]:The musical activities of the ritual "assembly" ceremony and the musical form of the "eternal object" are the cultural existence of two types of music, not the two existence of "progress" and "backward". The Makam, qucard and lager of the oriental music are all in a musical activity, rather than the fixed musical "style", the eastern and Western sounds. Music is two different types of music, "real real" music and "eternal object" music. The article is divided into four parts: first, the "assembly" ceremony is the origin of Arabia Literature MA cam Mei and music Makam; two, "musical form" as the "eternal object" music and the "assembly" ceremony as the "realistic" music difference. Three, the difference in the physical cognition of the time and space of "real real" music and the "eternal object" music; four, the "situation" and "non Plight" space of the music body in the visual field of phenomenon science.

【作者单位】： 南京艺术学院音乐学研究所;
，

本文编号：1817754