论普罗科菲耶夫早期钢琴小品OP3与OP4的创作风格及演奏技巧

发布时间：2018-05-03 22:15

本文选题：普罗科菲耶夫 + 钢琴小品四首　；参考：《沈阳师范大学》2017年硕士论文

【摘要】：普罗科菲耶夫是十九世纪与二十世纪交替时期的音乐大师,在其同时代的音乐家中以特立独行的音乐风格而大放异彩。他的作品既有传统的音乐情怀又具有新颖的音乐语言,可以说其作品预示着新时代的到来。本文以二十世纪俄国音乐大师普罗科菲耶夫早期创作的钢琴小品op3与op4为研究对象,通过对作曲家早期艺术观以及这两部音乐作品音乐本体的分析,得出普罗科菲耶夫早期的钢琴创作风格为既立足于传统又具有大胆创新的探索,具有多元化的音乐风格特点。并结合自身演奏经验细致的对这两部作品的演奏进行了诠释,指出演奏该作品的难点与重点,希望可以为更为精准的理解、演奏普罗科菲耶夫的音乐作品提供参考。本文共分为五章。第一章为引言,主要阐述了本文的选题目的与意义,进行对普罗科菲耶夫前人研究成果的综述,以及本文的写作方法、写作视角。第二章,站在传统上的创新者,主要通过对普罗科菲耶夫的古典音乐情怀和俄罗斯民间音乐对其的影响进行阐释。另外还对二十世纪新音乐思潮对他来带冲击进行分析,由此来理解普罗科菲耶夫艺术观的形成。第三章,既传统又绚烂多样的艺术风格,通过对这两部钢琴的曲体结构、调式布局、和声写作、旋律线条的分析得出其早期的音乐风格为既传统又具有多元化的风格特点。第四章,是对这两部钢琴小品的演奏诠释,通过对标题与主题的阐释,以及触键和踏板运用的演奏分析指出作品演奏的难点与重点。第五章是对普罗科菲耶夫钢琴小品艺术价值的研究,从历史价值、现实价值以及教学价值三方面来看普罗科菲耶夫钢琴小品的艺术成就以及今人可从中获取的重要价值。
[Abstract]:Prokofyev was a master of music in the turn of the nineteenth century and the twentieth century. His works have both traditional musical feelings and novel musical language, so it can be said that his works herald the arrival of a new era. This article takes the piano sketch op3 and op4 by the Russian music master Prokofyev in the 20th century as the research object, through the analysis of the composer's early art view and the music ontology of these two music works. It is concluded that Prokofyev's early piano creation style is based on tradition and has bold and innovative exploration, and has the characteristics of diversified musical style. Combined with their own performance experience, the author interprets the two works, points out the difficulties and key points of playing the works, and hopes to provide a reference for more accurate understanding and playing Prokofyev's music works. This paper is divided into five chapters. The first chapter is the introduction, which mainly expounds the purpose and significance of this paper, the review of Prokofyev's previous research results, the writing method and perspective of this paper. In the second chapter, the innovators stand in the tradition, mainly through the classical music feelings of Prokofyev and the influence of Russian folk music. In addition, it analyzes the impact of the new music trend on him in the 20th century, so as to understand the formation of Prokofyev's view of art. The third chapter, both traditional and colorful art style, through the two piano music structure, mode layout, harmony writing, melody line analysis of its early music style is both traditional and diversified style characteristics. The fourth chapter is the interpretation of the two piano pieces, through the interpretation of the title and theme, as well as the use of touch keys and pedal performance analysis points out the difficulties and key points of the performance. The fifth chapter is a study on the artistic value of Prokofyev's piano sketch. From the three aspects of historical value, realistic value and teaching value, the artistic achievement of Prokofyev's piano sketch and the important value that can be obtained from it are discussed.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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