论目录学体系中的器乐立目——兼论南宋莆田二郑的音乐分类观及其影响

发布时间：2018-05-04 07:40

本文选题：郑樵《通志·艺文略》 + 郑寅《郑氏书目》　；参考：《黄钟(武汉音乐学院学报)》2017年02期

【摘要】：南宋莆田郑樵《通志·艺文略》与郑寅《郑氏书目》的音乐分类观念对后世产生了重要影响。陈振孙《直斋书录解题》的音乐分类意识有两个主要来源:一是郑樵以"贵声"为主旨,视音乐为专门之学并予独立立类的思想;二是郑寅分列于经、子二部(从经部抽离羯鼓、琵琶而置于子部"音乐类")的思想。至清代《四库全书总目提要》,音乐类目各得其所:一是以"乐"入经部乐类,二是以"声"入子部艺术类,三是以"音"入集部词曲类。于是,正式厘清雅乐与俗乐两界,俗乐有器乐与声乐的分野,而音乐书、谱皆有雅俗同构的对应关系。
[Abstract]:The concept of music classification of Zheng Qiao in Putian of Southern Song Dynasty and Zheng Yin's Bibliography has had an important influence on later generations. There are two main sources of the consciousness of music classification in Chen Zhensun's "Zhi Zhai Book": one is Zheng Qiao's idea that he regards music as his special study and sets up an independent category, and the second is that Zheng Yin is divided into scriptures. The thought of "music" in the second part of the subdivision (taking the drum from the sutras and putting the pipa in the subdivision). By the Qing Dynasty, the contents of the four Kudu books were different: first, music into the classical music category, second, "sound" into the subdivision art category, third, the "sound" into the collection of ci and music categories. (3) the music category was divided into two categories: "Music" into the Classical Music category, "Sound" into the subdivision art category, and "Yin" into the collection. Therefore, the formal clarification of the two boundaries of elegant music and vulgar music, there is a division between instrumental music and vocal music, and music books, the spectrum has the corresponding relationship between elegance and vulgarity.
【作者单位】：武汉音乐学院;湖北音乐博物馆;
【分类号】：J609.2

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