文献记载中的乐器异象研究

发布时间：2018-05-04 16:34

  本文选题：乐器始源 + 乐钟自鸣　； 参考：《音乐创作》2017年04期

【摘要】：有关汉族本土乐器神奇异象的记载中大量出现在文献典籍中,具有其独特的文化符号含义。本文通过对文献资料的梳理与总结,将这类记载进一步细分为附会先圣、鬼神传说、乐器自鸣等多个方面,并运用音乐声学与社会学原理对这类记载的信史程度展开研究,从而探讨时人在记述与乐器相关的音乐实践时大量涉及神奇异象的可能性原因,分析乐器异象有关的特殊记载与生产力、乐器始源及社会文化间的关系,从而强调汉族本土乐器在中国传统音乐文化中的特殊地位。
[Abstract]:The records of the magic vision of the native musical instruments of Han nationality appear in many documents and books, and have their unique cultural symbol meaning. By combing and summarizing the literature, this paper further subdivides this kind of records into several aspects, such as the sacred of the attached meeting, the legends of ghosts and gods, the musical instrument singing, and so on, and studies the degree of the historical history of this kind of records by using the principles of musicology and sociology. In order to explore the possible reasons why people are involved in a large number of magical anomalies in recording musical instruments related to musical practice, and to analyze the relationship between the special records and productivity of musical instrument anomalies, the origin of musical instruments and the social and cultural relations, Thus emphasizing the special position of the native musical instruments of Han nationality in Chinese traditional music culture.
【作者单位】： 武汉音乐学院;
【分类号】：J632;I206.2
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本文编号：1843780