一部被重新“发现”的经典——解读埃内斯库的《庆典赞美诗》

发布时间：2018-05-06 21:26

本文选题：赞美诗 + 巴黎音乐学院　；参考：《人民音乐》2017年10期

【摘要】：正从20世纪初起,乔治·埃内斯库(George Enescu,1881—1955)在罗马尼亚和法国首都越来越受欢迎,并获得大家真诚的欣赏。当时他年仅24岁(1905年),已经小有名气,在费利克斯·魏因加特纳(Felix Weingartner)指挥的音乐会中担任独奏,加布里埃尔·福雷(Gabriel Fauré)弹奏钢琴与其合作。他还是巴黎音乐学院的考试评委之一。当时的音乐家圈子怀着浓厚的兴趣聆听他那深深植根于民族血脉之中的音乐,他的音乐也引起大家的讨论,似乎其音乐的引导维度从罗马尼亚音乐文化转向了更高的普世精神层面。1860年,乔治·埃内斯库似乎把最多的精力放在了吹管
[Abstract]:Since the beginning of the 20th century, George Ernescun George Enescun (1881-1955) has become increasingly popular in the Romanian and French capitals and received sincere appreciation. At the age of 24 (1905), he was already a minor soloist at a concert conducted by Felix Weingartnerner, and Gabriel Faur 茅 played the piano in collaboration with him. He is also one of the judges of the Paris Conservatory of Music. The circle of musicians at that time listened with great interest to his music, which was deeply rooted in the blood of the nation, and his music also aroused discussion. It seems that the guiding dimension of his music has shifted from Romanian music culture to a higher universal spiritual level. In 1860, George Ernesco seemed to have focused most of his energy on blowing tubes
【作者单位】：罗马尼亚加勒斯特国立音乐大学研究和国际关系部;中央音乐学院出版社;
【分类号】：J614

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