当代扬琴作品中新民族音乐风格探究

发布时间：2018-05-07 05:48

本文选题：当代扬琴作品 + 新民族音乐　；参考：《聊城大学》2017年硕士论文

【摘要】：中国扬琴音乐发展至今,其作品在创作风格上进入一个崭新的局面。当代扬琴新民族音乐风格下的作品,无论创作题材、曲式结构,还是织体结构、演奏技法等方面,都与传统扬琴音乐创作风格有所不同。它们在传统扬琴音乐的基础上,不断改革、创新。本文从这几个方面分别论述,总结出当代扬琴作品创作中的新民族音乐风格。首先,在创作题材上,当代扬琴新民族音乐与中国传统扬琴音乐相比,依然坚持以中国民族文化为主流,包含了中国各地区、各民族及不同历史时期的文化内容,或赞美祖国大好山河,或表现少数民族的动人歌舞,或歌颂伟大的历史人物,使当代扬琴作品呈现一片空前繁荣景象。其次,在创作技法上,新民族音乐风格下的作品,则逐渐出现“西方化”趋势,比如某些作品在中国传统曲式结构框架下,加入西方单三部曲式、回旋曲式;在织体结构上,具有多声部织体综合运用的特点,旋律中复调音乐与主调音乐交替进行,提高了作品表现力;在调性上,采用多调性原则来创作,等等;最后,在演奏技法上,如:滑抹音、滑拨和撮等。这些演奏技法以传统扬琴演奏技法为基础,秉承西方现代音乐精神,注重东西方乐器演奏技法的相互结合,使其逐渐发展并实现系统化、规范化。
[Abstract]:With the development of Chinese dulcimer music, its writing style has entered a new situation. The works under the new folk music style of the contemporary yangqin are different from the traditional Yangqin music creation style in terms of the creation theme, the musical structure, the texture structure, the performance technique and so on. On the basis of traditional dulcimer music, they are constantly reformed and innovated. From these aspects, this paper summarizes the new folk music style in the creation of contemporary yangqin works. First of all, compared with the traditional Chinese dulcimer music, the new folk music of the contemporary yangqin still insists on taking the Chinese national culture as the mainstream and contains the cultural contents of all regions, nationalities and different historical periods in China. Or praise the great mountains and rivers of the motherland, or show the moving songs and dances of the minority nationalities, or sing the great historical figures, so that the contemporary yangqin works present an unprecedented prosperity. Secondly, in terms of creative techniques, the trend of "westernization" gradually appears in the works under the new folk music style. For example, under the framework of the traditional Chinese musical structure, some of the works have been added to the western mono-trilogy and twirl form, and in the texture structure, It is characterized by the comprehensive use of polyphonic texture, in which polyphony music is alternated with the main tone music, which improves the expressiveness of the work; in tonality, the principle of polytonicity is used to create, and so on; and finally, in the playing techniques, such as sliding, erasing, etc. Slip and pinch, etc These playing techniques are based on the traditional yangqin playing techniques, and attach importance to the combination of the western musical instruments and the western musical instruments, so that they can gradually develop and realize systematization and standardization.
【学位授予单位】：聊城大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.51

【相似文献】