威伯恩《协奏曲》OP.24音乐音高结构分析

发布时间：2018-05-07 13:44

本文选题：威伯恩 + 协奏曲　；参考：《西安音乐学院》2017年硕士论文

【摘要】：威伯恩作为20世纪最有影响力的作曲家代表人物之一,不仅在创新精神上给后来的作曲家以启示,且在创作技术上为后来的作曲家提供了许多创作的可能性。本文将对其囊括了不少现代音乐创作技法的《协奏曲》OP.24从音乐音高组织结构的角度进行较为深入的分析。本文共分为四个章节,第一章简述了威伯恩生平、创作分期以及《协奏曲》Op.24的创作概况与整体结构概述;第二章从原型序列、序列材料的选取与分组、序列材料的陈述方式以及序列重叠音的角度对作品的序列进行全面的分析;第三章为本文重点,从音程、原型序列截断、和声形态以及音乐截断等方面对作品音乐音高结构进行多维及全面的细致分析;第四章对作品三个乐章的节奏形态进行分析及比较;最后对作品的序列、节奏及音高结构特点以及创作思维进行归纳总结,希望通过本文的分析能为更多研究威伯恩的研究者们提供一些参考及借鉴。
[Abstract]:As one of the most influential representative composers in the 20th century, Wheeburn not only enlightens the later composers in the spirit of innovation, but also provides many possibilities for the later composers in terms of creative techniques. In this paper, OP.24, which includes a lot of modern music creation techniques, will be deeply analyzed from the angle of musical pitch organization structure. This paper is divided into four chapters. The first chapter gives a brief account of Waverburn's life, stages of creation, and the general situation and overall structure of Concerto, the second chapter describes the selection and grouping of the sequence materials from the prototype sequence. The presentation method of sequence material and the angle of sequence overlapping sound are analyzed comprehensively. Chapter three is the focus of this paper, which is truncated from interval and prototype sequence. In the aspects of harmony form and music truncation, this paper makes a multi-dimensional and comprehensive detailed analysis of the musical pitch structure of the works. Chapter four analyzes and compares the rhythmic forms of the three movements in the works. Finally, the sequence of the works is analyzed. The characteristics of rhythm and pitch structure as well as creative thinking are summarized and summarized. It is hoped that the analysis of this paper can provide some references for more researchers who study Waverburn.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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