一-音-多-声:梁雷《记忆的弦动——钢琴与民乐队协奏曲》解析

发布时间：2018-05-09 17:09

  本文选题：梁雷 + 《记忆的弦动——钢琴与民乐队协奏曲》　； 参考：《音乐艺术(上海音乐学院学报)》2017年02期

【摘要】：文章通过一串记忆、一音、多(弦之一)、声(弦之二)、一/多(弦之三)、音/声,以及音(弦之四)7个部分介绍分析了梁雷的《记忆的弦动——钢琴与民乐队协奏曲》,并以"一音多声"概念对该作品从技术、意义及其内部投射进行整体分析和概括,提出了作品中对钢琴新音色的探索、对民族器乐语言的当代认识、对西方协奏曲体裁的思考、关于中国唐大曲结构的运用、东西方文化及语言风格的融合、中国传统文化的现代转换等问题的探讨。
[Abstract]:Through a series of memory, one note, many (one string, one string, two strings, one / more, one / more, sound / sound, The paper also introduces and analyzes Liang Lei's Concerto on "string Movement of memory-Piano and Folk Music team" in seven parts of sound (string IV), and analyses and generalizes the works from technology, meaning and internal projection with the concept of "one sound and more sounds". It puts forward the exploration of the new timbre of piano in the works, the contemporary understanding of the national instrumental music language, the thinking of the western concerto genre, the application of the structure of the Chinese Tang Daqu, the fusion of the eastern and western cultures and the language style. Discussion on the modern transformation of Chinese traditional culture.
【作者单位】： 上海音乐学院音乐学系;
【分类号】：J624.1
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本文编号：1866849