莫扎特第十二首钢琴奏鸣曲（K332）乐谱版本分析与演奏诠释

发布时间：2018-05-11 13:52

本文选题：莫扎特 + 运音法　；参考：《上海师范大学》2017年硕士论文

【摘要】：沃尔夫冈·阿马德乌斯·莫扎特(Wolfgang Amadeus Mozart,1756年1月27日-1791年12月5日)是欧洲最伟大的古典主义音乐作曲家之一。尽管莫扎特35岁英年早逝,但他留下音乐作品几乎涵盖所有的音乐体裁型。在钢琴音乐创作领域,他无疑是一个天份极高的艺术家,其创作的协奏曲、奏鸣曲、交响曲等都成为后来古典音乐的主要形式。莫扎特的钢琴奏鸣曲突出体现了他在钢琴音乐领域的贡献。本研究聚焦莫扎特第12首钢琴奏鸣曲(K332),试图通过该作品的乐谱版本分析、音响版本比较以及音乐史学资料论述该作品的演奏诠释。莫扎特第12首钢琴奏鸣曲(K332)创作于1782年。由于年代久远,该作品存在多种乐谱版本。笔者共收集5个乐谱版本:德国亨乐版(Henle Verlag)、德国彼得斯版(Peters Verlag)、德国布莱特科普夫版(BreitkopfHartel)、维也纳原始版(Wiener Urtext)以及英国皇家音乐学院联合委员会版(ABRSM Publishing)。类似地,笔者收集到该钢琴奏鸣曲4个演奏音响版本:内田光子(Mitsko Uchida)、海布勒(Ingrid Haebler)、席夫(Andras Schiff)、阿劳(Claudio Arrau)。通过对这些乐谱和音响版本的初步分析,笔者发现,该曲乐谱版本的区别主要体现在装饰音与运音法两个方面。基于此,本研究以装饰音与运音法为研究视角,在比较不同乐谱版本标记差异的基础上,针对这些差异点,进而探究不同音响版本的诠释差异,在此基础上,结合音乐史学资料,论述该作品装饰音与运音法的演奏诠释,试图为该作品的演奏与教学提供借鉴。
[Abstract]:Wolfgang Amadeus Mozart (January 27, 1756-December 5, 1791) is one of the greatest classical music composers in Europe. Although Mozart died young at the age of 35, he left behind music that covered almost all musical genres. In the field of piano music creation, he is undoubtedly a highly talented artist. His concertos, sonatas and symphonies have become the main forms of classical music. Mozart's piano sonata highlights his contribution in the field of piano music. This study focuses on Mozart's piano sonata No. 12, K332A, and tries to analyze the music score, compare the sound version and discuss the interpretation of the work through the music version analysis, the sound version comparison and the historical data of music. Mozart, No. 12 Piano Sonata K 332) was written in 1782. Because of the old age, there are many musical versions of the work. The author collected 5 music versions: Henle Verlagg, Peters Verlagg, Breitkopf Harteler, Wiener Urtextand ABRSM Publishing. Similarly, the author collected four sound versions of the piano sonata: Mitsko Uchidaou, Ingrid Haeblern, Andras Schifft, Claudio Arrauang. Through the preliminary analysis of the music score and sound version, the author finds that the difference between the music score version is mainly reflected in the decorative sound and the phonetic method. Based on this, this research takes the decorative sound and the phonetic method as the research angle, on the basis of comparing the different music score version mark difference, aiming at these difference points, and then exploring the interpretation difference of the different sound version, on this basis, Based on the historical data of music, this paper discusses the interpretation of the decorative sound and the phonetic method of the work, and attempts to provide reference for the performance and teaching of the work.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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