四首钢琴改编曲《花鼓》的比较研究

发布时间：2018-05-14 23:43

本文选题：钢琴改编曲 + 花鼓　；参考：《内蒙古师范大学》2015年硕士论文

【摘要】：瞿维先生的《花鼓》、崔世光先生的《花鼓》、奚其明先生的《湖南花鼓》以及黎英海先生的《花鼓》是四位钢琴作曲家吸取了大量的民间音乐素材,并且运用了多种的创作手法,创作出了这四首具有浓厚的中国民族民间特色的钢琴作品。本人将通过对崔世光先生、瞿维先生、奚其明先生以及黎英海先生的艺术生涯以及他们的音乐创作进行研究,分析出四首《花鼓》的民间音乐元素以及在曲式、和声、节奏、旋律等方面的创作特色,进而分析出四首《花鼓》作品的现实意义与应用价值。使演奏者可以更好的认识与了解四位作曲家,并演奏好这四首钢琴作品。论文共包含五个部分:第一部分:简单介绍中国钢琴改编曲的形成与发展,了解它在中国音乐史上的重要地位。第二部分:简单的对花鼓进行介绍,了解它所流行的地区,以及不同地区的花鼓,特点的不同。第三部分:从五个方面对四首钢琴作品的特性进行对比分析,第一,介绍四首钢琴改编曲《花鼓》的创作背景;第二,从音乐本体出发,分析作品形式的统一性与独特性;第三,和声手法上的传统性与现代性;第四,取材方式上的一致性与差异性;第五,对民间器乐的模仿性。第四部分:从曲式、旋律线、力度、踏板等方面对四首《花鼓》进行深入的音乐分析,并在演奏技法方面进行较详细的阐述。第五部分:从三个方面阐述研究崔世光先生的《花鼓》、瞿维先生的《花鼓》、奚其明先生的《湖南花鼓》与黎英海先生的《花鼓》的现实意义与应用价值。
[Abstract]:Mr. Qu Wei's Flower Drum, Cui Shiguang's Flower Drum, Xi Qiming's Hunan Flower Drum and Li Yinghai's Flower Drum are four piano composers who draw on a great deal of folk music material and use a variety of creative techniques. Created the four piano works with strong Chinese folk characteristics. I will analyze the folk music elements of four "Flower Drum" by studying the artistic career of Mr. Cui Shi-guang, Mr. Qu Wei, Mr. Xi Qiming and Mr. Li Yinghai. The author analyzes the realistic significance and application value of four pieces of Flower Drum. So that players can better understand and understand the four composers, and play these four piano works. The thesis consists of five parts: the first part: briefly introduces the formation and development of Chinese piano adaptation and understands its important position in the history of Chinese music. The second part: a brief introduction to the flower drum, to understand its popular areas, as well as different regions of the flower drum, the characteristics of the different. The third part analyzes the characteristics of four piano works from five aspects. Firstly, it introduces the background of the creation of the four piano adaptations of "Flower Drum", second, from the music Noumenon, analyzes the unity and uniqueness of the form of the works. Thirdly, the tradition and modernity of harmony technique; fourth, the consistency and difference in the way of selecting materials; and fifth, the imitation of folk instrumental music. The fourth part: from the music form, the melody line, the dynamics, the pedal and so on, carries on the thorough music analysis to the four "Flower Drum", and carries on the more detailed elaboration in the performance technique aspect. The fifth part expounds the practical significance and application value of studying Cui Shiguang's Flower Drum, Qu Wei's Flower Drum, Xi Qiming's Hunan Flower Drum and Li Yinghai's Flower Drum from three aspects.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J624.1

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