哈密艾捷克与二胡之比较研究

发布时间：2018-05-16 02:00

本文选题：哈密艾捷克 + 二胡　；参考：《新疆师范大学》2017年硕士论文

【摘要】：乐器是一种物质的承载者,是经过岁月得考验,改革,创新等一系列变化而传承下来的人类文明的精神产物。也是人类对社会情感表达与互相之间交流的重要载体。它的外形、外行、性能、音色与音乐有着非常直接的联系,同时也反映着在不同时间段的文化背景和审美的不同也是对文化的一种体现和民族音乐文化的交流。然而,当今我们看到的维吾尔族的哈密艾捷克与二胡就有着紧密的联系,两种乐器不论从外形上看以及从音色,情感的表达中总能寻找到一种似曾相似的模样,这也是本文所要表达的本意,本文主要通过哈密地区的哈密艾捷克以及二胡之比较来研究,两者之间的历史文化,形制结构,改良成果之间的对比及对未来的展望。本文笔者主要运用民族音乐学结合音乐学,文献学等研究方法对于哈密艾捷克及二胡两者之间分别进行历史及现实的考察研究并分析其异同。又从音乐实践的角度来对哈密艾捷克及二胡的认识,了解并深入研究,这也是拽写本文笔者的一个切入点,通过自身体会更能全方位的去探究两者之间存在的联系。从文献的角度去分析,目的在于分析两者的过去史和未来的发展方向的揣测,提出自己的看法。从民族音乐学的学科分析,理清其发展头绪钻研状况等方面。论文重要囊括:一.绪论部分:提出选题背景,本文的研究的目的和意义,研究现状及基本思路及研究方法。二.哈密艾捷克与二胡的历史与传承现状,分别从综述方面来阐述。三.哈密艾捷克与二胡制作、演奏形式、演奏场合,这几方面对两者之间比较细化的对比研究。四.对两者之间的演奏技巧以及对未来的发展的揣测。五.两者之间的改良,传承及未来的展望。具体的研究对比过程:通过对历史及传承,制作,演奏方式,演奏场合及演奏方法做了比较细化的研究。结论部分:每章节做出对比,以及对未来的展望。
[Abstract]:Musical instrument is a kind of material bearer, it is the spiritual product of human civilization passed down by a series of changes, such as the test, reform, innovation and so on. It is also an important carrier for human beings to express and communicate with each other. Its appearance, layman, performance, timbre and music have a very direct relationship, but also reflect the cultural background and aesthetic differences in different periods of time is also a manifestation of culture and the exchange of national music culture. However, the Uygur Hami Ai Czech Republic and Erhu are closely related to each other today. In terms of appearance and timbre, we can always find a similar appearance in the expression of emotion. This is also the intention of this paper, this paper mainly through the Hami area of Hami Czech Republic and erhu comparison, the historical culture between the two, the shape of the structure, the contrast between the results of the improvement and prospects for the future. In this paper, the author mainly uses ethnomusicology combined with musicology, philology and other research methods to study the history and reality of the Czech Republic and Erhu, respectively, and analyze their similarities and differences. From the perspective of music practice to the understanding of the Czech Republic and Erhu, understanding and in-depth research, this is also the author of this article, a breakthrough point, through their own experience to explore the existence of a more all-round relationship between the two. From the point of view of literature, the purpose of this paper is to analyze the past history and future development direction of the two and to put forward their own views. From the subject analysis of ethnomusicology, clarify its development and research situation. The main contents of this paper are as follows: 1. Introduction: the background of the topic, the purpose and significance of this study, the status quo, basic ideas and research methods. II. The history and inheritance status of the Czech Republic and Erhu are described from the aspect of summary. III. Hamiai Czech and erhu production, performance form, performance occasions, these aspects of the two more detailed comparative study. IV. Play skills between the two and speculate on future developments. V. The improvement between the two, inheritance and future prospects. The concrete research contrast process: through the history and the inheritance, the production, the performance way, the performance occasion and the performance method has made the more detailed research. Conclusion: compare each chapter and look forward to the future.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.21

【参考文献】