琵琶“绰注”技法研究

发布时间：2018-05-18 08:12

本文选题：琵琶 + “绰注”　；参考：《河北师范大学》2017年硕士论文

【摘要】：琵琶在我国两千多年的历史发展过程中,迄今为已经创造了七十余种演奏技法,其中左手技法主要包括吟、揉、打、带、推、拉、绰、注和泛音等,这些技法在琵琶乐曲中,增添腔韵、丰富音色,对琵琶音乐的表现力起着重要的作用。“绰注”技法是具有特色韵味的左手代表性技法类别之一,是指用左手手指按住琴弦音位做上下滑动,通过改变弦的长短,达到音高的变化,这种技法体现着左手按音的线性连接,对音乐旋律的润饰、音乐色彩的丰富和音乐形象的塑造等,起到了独特的艺术效果。本文通过对“绰注”技法的定义、分类和特点的归纳总结做为出发点,探究了影响琵琶“绰注”技法发展的因素,分析了“绰注”技法在不同历史时期琵琶乐曲中的运用及意义,总结出该技法在琵琶演奏艺术中的作用与价值。
[Abstract]:In the course of more than 2,000 years of historical development of our country, the pipa has so far created more than 70 kinds of playing techniques, of which the left hand techniques mainly include singing, kneading, beating, belt, pushing, pulling, Chuo, note and overtone, and so on. These techniques are used in pipa music. Add rhyme, rich timbre, play an important role in the performance of pipa music. The "Chuo Note" technique is one of the representative left-handed techniques with distinctive charm. It refers to the use of the left hand finger to hold down the piano string phonemes and to slide up and down, so as to achieve the change of pitch by changing the length of the strings. This technique embodies the linear connection of the left hand by the sound, and plays a unique artistic effect on the melodies of music, the rich color of the music and the shaping of the image of the music. Based on the definition, classification and characteristics of "Chuo Notes" as the starting point, this paper explores the factors that affect the development of the techniques of "Chuo Notes" in pipa. This paper analyzes the application and significance of Chuozhu technique in pipa music in different historical periods, and sums up its function and value in the art of pipa performance.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.33

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