闫宗佰竹笛艺术研究

发布时间：2018-05-20 03:28

本文选题：闫宗佰 + 竹笛　；参考：《河北师范大学》2017年硕士论文

【摘要】：闫宗佰,中国著名竹笛演奏家,中国第一届竹笛学会委员会理事,中国笛文化所研究员,中国戏曲家学会会员,中国笛子刘森风格研究会研究员,山西省竹笛学会副会长。几十年来,他潜心致力于传统竹笛的演奏、创作、改良等,并取得了重要成就。他秉承“取之本土,还之本土”的创作思想,在作品中融入了蒲剧、眉户剧等民间音乐元素,具有鲜明的地方性风格。演奏中他坚持“音有数,韵无穷”的演奏理念,演奏风格具有鲜明的本土特征。同时,闫宗佰在竹笛的改良方面进行了探索,研制出“变调转笛”,使竹笛由七个调增加二十一个不同的调,从而扩展了笛子的音域和表现力。他还编写了《闫宗佰笛子曲集》,并录制的两张CD专辑,对我国竹笛艺术的传承与发展做出了贡献。笔者试图从闫宗佰个体及具体的演奏作品为出发点,分析其竹笛演奏特点,并从传统审美学的角度对其演奏艺术做出理论的解析,从而扩展演奏者的思路,更进一步丰富中国竹笛演奏的技术技巧和艺术表现力。本文运用访谈调查法、文献分析法,实践行动法、归纳法、比较法等,对闫宗佰的竹笛演奏艺术进行全方位的研究。全文共由引言、五个章节和结论构成,绪论是论文选题的缘由及闫宗佰竹笛艺术发展综述、研究现状。第一章作为全文的背景资料,主要从闫宗佰的乡土情节和闫宗佰的艺术生涯两方面对闫宗佰竹笛艺术,进行介绍。第二章详细的介绍闫宗佰的笛曲创作及特点。第三章具体分析闫宗佰竹笛演奏艺术的风格特点、演奏的作品、演奏技巧与理念。第四章对闫宗佰的竹笛改良缘由及实际应用进行阐述。第五章是对闫宗佰的教学方法、教学思想进行深入地分析。本文对闫宗佰的竹笛艺术从不同的角度进行了梳理、分析与总结。期盼在竹笛的演奏、竹笛乐曲创作、演奏技巧创新、竹笛改良、竹笛训练方法等方面,使后人得以启发、学习、研究和借鉴。并希望自身对闫宗佰竹笛艺术的研究,为喜爱闫宗佰的竹笛演奏风格特点及其作品的人士们提供一份借鉴。
[Abstract]:Yan Zongbai, a famous Chinese bamboo flute player, member of the committee of the first Chinese bamboo flute society, a researcher of the Chinese flute culture institute, a member of the Chinese opera artist, a researcher of the Chinese flute Liu Sen style research association, and vice president of Shanxi bamboo flute society For decades, he devoted himself to traditional bamboo flute performance, creation, improvement, and made important achievements. His creative thought of "taking the native land and returning the native country" has incorporated the folk music elements such as Pu Opera, Mei Hu Opera and other folk music elements into his works, and has a distinct local style. He insists on the idea of "the number of sounds and the endless rhyme", and his playing style has distinct local characteristics. At the same time, Yan Zongbai explored the improvement of bamboo flute, and developed "changing and turning flute", which increased 21 different tones of bamboo flute from seven tones, thus expanding the range and expressive power of bamboo flute. He also wrote "Yan Zongbai Dezi Collection" and recorded two CD albums, which contributed to the inheritance and development of bamboo flute art in China. The author tries to analyze the characteristics of Yan Zongbai's bamboo flute performance from the point of view of Yan Zongbai's individual and his specific performance works, and to make a theoretical analysis of his performance art from the perspective of traditional aesthetics, so as to expand the player's thinking. Further enrich the technical skills and artistic expression of Chinese bamboo flute performance. This paper makes a comprehensive study on Yan Zongbai's bamboo flute playing art by means of interview investigation, literature analysis, practical action, induction, comparative method and so on. The paper is composed of introduction, five chapters and conclusions. The introduction is the reason of the thesis and the summary of the development of Yan Zongbai bamboo flute art. The first chapter as the full text background information, mainly from Yan Zongbai's local plot and Yan Zongbai's artistic career two aspects to Yan Zongbai bamboo flute art, carries on the introduction. The second chapter introduces Yan Zongbai's creation and characteristics in detail. Chapter three analyzes the style, works, techniques and ideas of Yan Zongbai's bamboo flute playing art. The fourth chapter expounds the reason and practical application of Yan Zongbai's bamboo flute improvement. The fifth chapter is to Yan Zongbai's teaching method, the teaching thought carries on the thorough analysis. This article combs, analyzes and summarizes Yan Zongbai's bamboo flute art from different angles. In the aspects of playing bamboo flute, composing bamboo flute music, innovating playing skill, improving bamboo flute, training method of bamboo flute and so on, the future generations can enlighten, learn, study and learn from it. It is hoped that the study of Yan Zongbai bamboo flute art will provide a reference for those who love Yan Zongbai's bamboo flute playing style and their works.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.11

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