《南管诗意》的“坐”、“立”、“行”——兼谈传统南音的“移步不换形”

发布时间：2018-05-22 16:52

本文选题：《南管诗意》 + 传统南音　；参考：《泉州师范学院学报》2016年03期

【摘要】：《南管诗意》是台湾心心南管乐坊的新作,由当代著名南音表演艺术家王心心创作。该作品既体现出传统南音古朴细腻的韵味,又融入了当代舞台表演的形式,无论是曲词内容选择、音乐创作特点,还是舞台表现形式,都体现了她跨界拼贴创作的一种探索。文章结合笔者参与《南管诗意》表演、推广的过程体验,从《南管诗意》舞台表现的"坐"、"立"、"行"等方面分析其作品结构和表现形式,并对传统南音的当代传承发展与如何遵循"移步不换形"的原则进行探讨。
[Abstract]:Nanguan Poetics is a new work of Taiwan Heart South Guanluofang, created by Wang Xinxin, a famous performing artist of Nanyin. This work not only embodies the ancient and delicate charm of the traditional Nanyin, but also melts into the form of contemporary stage performance. Whether it is the choice of the content of lyrics, the characteristics of music creation or the form of stage expression, it embodies a kind of exploration of her cross-boundary collage creation. Based on the experience of the author's participation in the performance of "Nanguan Poetics" and its popularization, this paper analyzes the structure and form of his works from the aspects of "sitting", "standing" and "running" on the stage of "Nanguan Poetics". This paper also discusses the development of traditional Nanyin and how to follow the principle of "moving without changing shape".
【作者单位】：泉州师范学院音乐与舞蹈学院;
【基金】：全国大学生创新创业训练计划项目(201510399006) 泉州师范学院研究生科研基金项目《〈南管诗意〉创作与移步不换形的思考》的研究成果
【分类号】：J607

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