岫岩祭祖仪式用乐特征及其渊源

发布时间：2018-05-24 09:40

本文选题：岫岩 + 太平鼓　；参考：《中国音乐》2017年04期

【摘要】：本文以一次"家谱开光"还愿仪式为研究个案,对岫岩祭祖仪式音乐进行了全面的形态分析。详细记录了整场仪式的用乐流程,从通用性、穿插性和专用性角度归纳仪式所用52首曲调,并将其分为吟诵性、叙述性和抒情性三类表情类型。在结构形式方面,将其总结为平行性结构、对比性结构、起承转合式结构和扩展性结构。最后,将部分曲调与相关曲调进行比较,发现其与江苏民歌、山东民歌和东北"跳神"音乐的联系。
[Abstract]:In this paper, the author makes a comprehensive analysis of Xiuyan ancestor worship ritual music by taking a "family tree lighting" vows as a case study. The process of using music in the whole ceremony is recorded in detail. 52 tunes used in the ceremony are summed up from the perspective of generality, interspersation and specificity, and are divided into three types: recitation, narration and lyricism. In terms of structural form, it is summarized as parallel structure, comparative structure, take-through structure and extensible structure. Finally, by comparing some tunes with related tunes, we find out the relationship between them and Jiangsu folk songs, Shandong folk songs and Northeast "jumping God" music.
【作者单位】：沈阳音乐学院;
【分类号】：J607

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