建国前留美归来声乐专家对中国声乐艺术发展的影响

发布时间：2018-05-25 07:50

本文选题：现当代 + 声乐艺术　；参考：《河北师范大学》2017年硕士论文

【摘要】：中国声乐艺术在历史的社会变革中不断积累与沉淀,至今,已形成了较为完善且具有民族特点和国际高度的体系。能有现如今的成绩离不开千百年来的继承与发展,更离不开历来为此付出努力的人,因此,本文旨在对当中某一小部分为中国近现代声乐艺术事业做出贡献的声乐专家进行群体研究与分析,以期得到更多能促进中国声乐发展的启示。周淑安、应尚能、黄友葵、喻宜萱、高芝兰作为建国前留美归来的一个共性群体,对中国近现代声乐事业的发展有着极大的影响,每一位都值得我们去深入研究与学习。他们在二十世纪初去美国求学并在学有所成后回到祖国怀抱,为中国声乐事业的发展奉献了一生,这样的共举并非偶然,而是因为他们都拥有对音乐对声乐的满腔热血,对国家对社会的历史使命。周淑安是我国近现代声乐教育事业的开拓者,喻宜萱就是他培养出来的学生之一,二人在声乐教学、声乐表演、声乐理论等方面所取得的成果都是后人学习声乐的珍品。应尚能作为我国近现代第一批专业声乐教育者之一,他的《以字行腔》在我国近现代声乐理论著作中一直名列前茅。而黄友葵和高芝兰作为我国早期著名的歌唱家、声乐教育家,同样将她们毕生的精力投入到了中国声乐事业的建设中,为新中国培养了大批歌唱人才。因此,对这五位有着同一求学背景且同一奋斗事业的声乐家进行共同分析与比较研究,是很有必要的,希望通过这项研究不仅可以为中国声乐教育事业总结出一些精髓,还可以让大家在声乐教学和声乐理论以及在中国声乐的未来发展方面都能获得更多的启发。全文共分为七个部分。绪论部分主要是对建国前音乐界留学归来群体的分析调查,详尽梳理了国内外关于五位留美归来声乐家的研究现状,并深刻揭示了本文的研究目的与意义、特色与创新点。第一部分是通过对赴欧、赴日、赴美这三大留学群体的系统概括与全面搜集来分析当时中国音乐界的留学概况,且着重强调了本文的核心研究对象,在声乐方面异常耀眼的五位留美归来声乐专家群体。第二部分则是对19世纪末至20世纪初美国声乐系统所呈现状态的一般描述,以及五位声乐专家与上海国立音专及其归国后任职背景关联的分析。第三第四部分是本文的核心,首先通过分析五位声乐专家在音乐会演唱曲目的选择以及歌唱表现方法的变化,来探索他们演绎国内外作品、致力于探索美声唱法民族化以及将“咬字”视为歌唱之重的共性。然后围绕他们在声乐教学、声乐作品创作、声乐演唱技法、声乐理论研究等多方面的影响来诠释他们贡献的具体之所在。所以才能在文章的第五部分总结出五位带给中国现代音乐人最深刻的启示便是要脚踏实地、刻苦钻研,要有不趋炎附势、不急功近利,学海无涯、持之以恒的态度,更要博学多才、视野开阔,要时刻谨记音乐根植于文化、服务于人民。结论部分,回顾全文,重新梳理了文章的脉络进行阐述。
[Abstract]:The Chinese vocal music art has accumulated and precipitated in the social change of history. So far, it has formed a more perfect system with national characteristics and international height. It can not be separated from the inheritance and development of thousands of years, but can not be separated from the people who have always made efforts to this end. Therefore, this article aims at a small part of the middle of this paper. In order to get more inspiration for the development of Chinese vocal music, Zhou Shuan, Huang Youkui, Yu Yi Yan and Gao Zhi LAN, as a common group that returned to the United States before the founding of the people's Republic of China, have a great shadow on the development of Chinese modern vocal music cause. Every one is worth studying and studying. In the early twentieth Century, they went to the United States to study in the United States and returned to the embrace of the motherland in the early twentieth Century. They devoted a lifetime to the development of Chinese vocal music. It was not an accident, but because they all had the enthusiasm for music to vocal music and the history of the country to society. Zhou Shuan is the pioneer of modern vocal music education in China. Yu Yi is one of the students he has trained. The achievements of the two people in vocal music teaching, vocal performance and vocal music theory are all the treasures of learning vocal music. He should be one of the first professional vocal educator in modern China. Huang Youkui and Gao Zhilan, as the famous early singer and vocal educator in our country, have also put their life energy into the construction of Chinese vocal music and trained a large number of singers for the new China. Therefore, the five places have the same learning background and the same study background. It is necessary to carry out a common analysis and comparative study of the vocalists in the same endeavor. It is hoped that this study can not only sum up some of the essence of Chinese vocal music education, but also give us more inspiration in the teaching of vocal music, the theory of vocal music and the future development of Chinese vocal music. It is the seven part. The introduction is mainly about the analysis and investigation of the returned group of students studying abroad before the founding of the founding of the people's Republic of China, and in detail combed the research status of five home and foreign vocal music artists home and abroad, and deeply revealed the purpose and significance of the study, the characteristics and the innovation points. The first part is the three major overseas students to go to Europe, to Japan and to the United States. The system generalizations and comprehensive collection are used to analyze the general situation of the Chinese music field at that time, and emphasis on the core research of this article, and the five vocal music experts who are abnormally dazzling in the vocal music. The second part is the general description of the state of the American vocal music system from the end of the nineteenth Century to the early twentieth Century, and the five bit sound. The third part of the third part is the core of this article. The first of all, the fourth part is the core of this article. First, through the analysis of the choice of the music music and the changes of the singing performance methods of the five vocal music experts, the author tries to explore their works at home and abroad and to explore the nationalization of the vocal music and " In the fifth part of the article, the most profound revelation to the Chinese modern musicians in the fifth parts of the article is to conclude that the five most profound enlightenment to Chinese modern musicians is to tread on their feet. In the field, we should study hard, not to be insensitive, not eager for success and interest, and to have a boundless and persistent attitude, more knowledgeable and wide field of vision, to keep in mind that music is rooted in culture and serve the people.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616

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