杜兆植合唱改编手法探微

发布时间：2018-05-25 23:04

本文选题：杜兆植 + 声部交替　；参考：《音乐创作》2017年01期

【摘要】：本文通过分析杜兆植先生的蒙古族风格女声合唱《圆顶帽》和《诺恩吉雅》,着力于探究蒙古族民族音乐在保留其典型的民族风格特点同时实现民族文化基因的现代化转型。从作曲技术层面,对主题的声部处理、原民歌的继承发展、和声风格的创新运用等方面进行了剖析和总结。由此,探讨杜兆植先生在蒙古族音乐创作领域的成绩和留给后人的财富。
[Abstract]:In this paper, through the analysis of Mr. Du Zhaozhi's Mongolian style female chorus, "the top hat >" and "the noble", we focus on exploring the modern transformation of the Mongolian ethnic music in the preservation of its typical national style and characteristic of ethnic culture. From the technical level of composing, the vocal treatment of the theme, the inheritance and development of the original folk songs, and the sound wind This paper analyzes and summarizes the innovation and application of the grid, and thus explores Mr. Du Zhaozhi's achievements in the field of Mongolian music creation and the wealth left to posterity.
【作者单位】：内蒙古艺术学院;
【基金】：内蒙古哲学社会科学2014年规划项目《蒙古族风格合唱的艺术研究》(2014C105)阶段成果
【分类号】：J607

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