周湘林《天马》中的和声运用研究

发布时间：2018-05-27 03:02

本文选题：周湘林 + 天马　；参考：《音乐艺术(上海音乐学院学报)》2017年01期

【摘要】：周湘林《天马》以哈萨克民歌为基础构建音高组织体系。本文从调式音列、和弦结构、旋律与和弦的关系、和声运动、调性等各个方面对其音高组织体系尤其是和声现象进行剖析。《天马》的音高组织体系主要是以调式音列——五声性调式与七声自然调式为基础的,尤其是旋律,充分保留了其音乐的民族特色,而在具体的和声纵向构成、横向运动以及调性布局的处理上,又体现出来源于调式音列特性音程的二度音程与五度音程的主导地位,这种和声处理方式为作品带来了浓郁的现代技法特征。《天马》和声处理技法对于年轻的作曲学习者、研究者提供了可资参考的借鉴意义。
[Abstract]:Zhou Xianglin, Tianma, based on Kazakh folk songs, constructs the pitch organization system. In this paper, we discuss the relation between melody and chord, harmonic motion, the structure of chord, the sequence of modulation, the structure of chord, the relationship between melody and chord. The pitch organization system, especially the harmony phenomenon, is analyzed in tonality and other aspects. The pitch organization system of "Tianma" is mainly based on the tone series-five tone mode and the 7-tone natural mode, especially the melody It fully retains the national characteristics of its music, and in the concrete vertical composition of harmony, lateral movement and the disposition of tone layout, it also reflects the dominant position of the second and fifth intervals, which come from the characteristic interval of the tone series. This kind of harmony processing method has brought the rich modern technique characteristic to the work. The harmony processing technique of "Tianma" provides the reference meaning for the young composer learners.
【作者单位】：上海音乐学院作曲系;
【分类号】：J614.1

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