拉赫玛尼诺夫《24首钢琴前奏曲》变音技法研究

发布时间：2018-05-30 22:35

本文选题：拉赫玛尼诺夫 + 前奏曲　；参考：《哈尔滨师范大学》2015年硕士论文

【摘要】：谢尔盖?瓦西里耶维奇?拉赫玛尼诺夫(1873-1943)是晚期浪漫主义音乐的重要代表人物,其音乐创作涉及的领域十分丰富,涵盖了钢琴、室内乐、歌剧、交响乐、合唱、歌曲等多种体裁。在众多的体裁中,钢琴作品的创作占有较为重要的地位。拉赫玛尼诺夫的一生共创作了24首《钢琴前奏曲》,这套作品由《升c小调前奏曲》(OP.3之2,1892年),《十首前奏曲》(OP.23,1902—1903年)和《十三首前奏曲》(OP.32,1910年)集合而成,分别属于作曲家的不同创作阶段,是拉赫玛尼诺夫具有重要代表性的钢琴作品之一,也是作曲家整个创作生涯中的一个缩影。全文共分四章:第一章绪论,对本文的研究缘由和意义、研究方法和手段以及研究综述进行论述;第二章拉赫玛尼诺夫《24首钢琴前奏曲》及其变音技法,对拉赫玛尼诺夫的生平、《钢琴前奏曲》的音乐创作以及变音与变化音进行简要的概述;第三章《24首钢琴前奏曲》的变音技法,这一章节是论文的重点,对作品中的变音技法进行详细地分析,分别从离调变音、调式交替类变音、变音类变音以及装饰性变音四个方面进行深入、细致地研究;第四章《24首钢琴前奏曲》的创作特征,分别从调性布局、主题发展手法以及和声三个方面进行论述。本文以人民音乐出版社2008年10月出版的《拉赫玛尼诺夫24首钢琴前奏曲》乐谱为研究对象,以和声技法为主要视角,将变音技法作为研究范围,通过对《24首钢琴前奏曲》变音技法的细致分析,结合其调性布局、主题发展手法以及和声等方面的特征,感知拉赫玛尼诺夫的创作风格。
[Abstract]:Sergei? Vasilyevich? Rachmaninov (1873-1943) is an important representative of late Romantic music. His music creation involves a wide range of genres, including piano, chamber music, opera, symphony, chorus, song and other genres. Among many genres, the creation of piano works plays an important role. Rachmaninov has written 24 Piano Preludes in his lifetime. This set of works is composed of "Prelude to the Piano in C minor", "2 of OP.3, 1892, < 10 prelude > OP.2321902-1903) and < Thirteen Preludes > OP.32, 1910). They belong to different creative stages of composers. They are one of the most representative piano works of Rachmaninov and also a microcosm of the composer's entire creative career. The thesis is divided into four chapters: the first chapter is introduction, which discusses the reason and significance of the research, the research methods and means, and the summary of the research; the second chapter, Rachmaninov's "24 Piano Preludes" and its changing techniques, A brief summary of Rachmaninov's life, the musical creation of Piano Prelude, and the tone and variation of the Piano Prelude, the third chapter < 24 Piano Preludes >, this chapter is the focus of the thesis, Detailed analysis is made on the technique of tone change in the works, which is studied in depth and meticulously from four aspects: the shift of tone, the alternation of tone, the change of tone and the decorative change. Chapter IV < 24 Piano Preludes > are the creative features. Respectively from the tone layout, theme development techniques and harmony three aspects are discussed. In this paper, the musical score of 24 Piano Preludes published by people's Music Publishing House in October 2008 is taken as the research object. Based on the detailed analysis of < 24 Piano Preludes > variation techniques and the characteristics of their tonality layout, theme development techniques and harmony, Rachmaninov's creative style is perceived.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J624.1

【相似文献】