调性之于音响及感性范畴的力场研究

发布时间：2018-06-01 21:59

本文选题：调性结构力 + 感性结构力　；参考：《上海音乐学院》2017年硕士论文

【摘要】：本文以调性结构力为研究对象,以调性之于音响及感性的驱动力为主要解决的问题,旁及与调性结构力相关的艺术和文化问题。调性结构力渗透在调性音乐的方方面面。从历史层面来看,它支配着调性语言规则的形成和发展;从作品层面来说,它是让音乐形式得以凝聚的核心控制力;从技术层面来看,它是运用调性语言规则的深层逻辑;从审美层面来说,它是审美主体依托音乐的形式在感性中体验到的力。因此,本文采取层层深入的研究策略,先对调性结构力的形而下学特征以及形而上学特质进行论述;然后从哲学、美学、心理学层面来论述调性结构力如何在音响与感性中得以统一;最后结合感性聆听与理性分析,以具体音乐作品作为个案研究,用兼具描写性与修辞性的文字语言来描述调性结构力的结构性驱动。在现有音乐理论的使用上,笔者主要依据的是恩斯特·库尔特的能量理论和伦纳德·迈尔的期待理论,前者侧重关注心理能量向音乐形式的注入,后者侧重关注的是由音乐形式唤起的意识趋向。由此得出本文的中心论点:调性结构力的结构性驱动在于由乐音的运动转化出的能量的流动,并依托音乐的形式呈现在感性中。
[Abstract]:This paper takes the tonality structural force as the research object, takes the tonality to the sound and the perceptual driving force as the main solution question, bypasses the art and the culture question which is related to the tonality structure force. The tonality structure force permeates every aspect of the tonality music. From the historical perspective, it dominates the formation and development of tonality language rules; from the work level, it is the core control force that makes music form condensed; from the technical level, it is the deep logic of the application of tonality language rules. From the aesthetic level, it is the aesthetic subject based on the form of music in the perceptual experience of the force. Therefore, this paper adopts the deep research strategy, first discusses the metaphysical characteristics and metaphysical characteristics of the tonality of structural force, and then from philosophy, aesthetics, At the psychological level, it discusses how the structural force of tonality can be unified in sound and sensibility. Finally, combining with perceptual listening and rational analysis, it takes concrete musical works as a case study. The structural driving force of tonality structure is described by both descriptive and rhetorical language. In the use of the existing music theory, the author mainly bases on Ernst Kurt's energy theory and Leonard Mayer's expectation theory, the former focusing on the psychological energy injection into the music form. The latter focuses on the tendency of consciousness aroused by musical forms. The main point of this paper is that the structural driving force of tonality lies in the flow of energy transformed by the movement of musical sound, and the form of music is presented in the perceptual form.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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