音乐与混沌分形理论

发布时间：2018-06-07 01:55

  本文选题：混沌理论 + 分形理论　； 参考：《黄钟(武汉音乐学院学报)》2017年03期

【摘要】：混沌理论(Chaos Theory)的提出,从科学角度探讨了世界的本质问题。与之密切相关的分形理论(Fractal Theory)无可争议地成为了20世纪的三大科学革命之一,该理论不仅改变了人们观察世界的角度,更启迪了我们反思往昔习以为常的一切。文章重点审视音乐作品与生律方式中展现的混沌与分形特质。从巴赫的古钢琴作品中探讨混沌理论中对于初始条件的依赖性;在约翰·凯奇的音乐创作中探索不可预测性;探究申克分析法与作品自相似性特征;探寻三分损益律所展现出的分形图形等。总之,从音乐作品,到音乐分析观念,再到广阔的音乐文化,我们在纷繁复杂的音乐现象背后的确能够发现混沌分形的特质。
[Abstract]:The chaos theory is put forward by Chaos Theory, and the essential problem of the world is discussed from the point of view of science. Fractal theory, which is closely related to fractal theory, has indisputably become one of the three major scientific revolutions in the 20th century. This theory not only changes the perspective of people's observation of the world, but also enlightens us to reflect on everything we used to take for granted. This paper focuses on the features of chaos and fractal in musical works and laws. This paper discusses the dependence of chaos theory on initial conditions in Bach's ancient piano works, explores the unpredictability in John Cage's music creation, and explores the characteristics of self-similarity between Schenck analysis and works. Explore the three-point profit and loss law showed fractal graphics and so on. In a word, from music works to music analysis ideas, to broad music culture, we can find the characteristic of chaos fractal behind the complicated music phenomenon.
【作者单位】： 中国音乐学院音乐研究所;北京市民族音乐研究与传播基地;英文学刊《音乐中国》编辑部;
【分类号】：J614
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本文编号：1989180