泰山碧霞祠现存经韵曲调查与研究

发布时间：2018-06-07 17:38

本文选题：泰山道教 + 碧霞祠　；参考：《山东大学》2017年硕士论文

【摘要】：泰山道教是泰山文化信仰中不可或缺的一部分,作为泰山道教文化中重要一环的道教音乐在泰山文化信仰中也扮演了极为重要的角色,而其中的经韵曲是法事音乐中应用的主体且最具音乐性。碧霞祠是目前泰山道教活动最主要的场所,几乎所有的泰山道教仪式在这里均有所保存,道教音乐也主要保存在其间。但有关泰山碧霞祠道教音乐的研究成果相对来说是比较缺乏的。因此,笔者选取了作为道教音乐主体的经韵曲作为研究的切入点,并采用了民族音乐学常用的档案资料法和田野调查法,在研究过程中广泛采纳历史学、民俗学、地理学、宗教学等多学科的研究成果对泰山碧霞祠现存经韵曲进行音乐记录和分析。本文共分为四个部分,第一部分为绪论包括选题缘由、研究价值、研究综述和研究方法。第二部分为泰山碧霞祠现存经韵曲及其应用情况,将泰山碧霞祠现存经韵曲进行统计并阐述其在不同科仪中的应用情况,并从中发现同名同词异曲和同名同曲异词音乐现象。另外,笔者分别在2015年、2016年的中元节及2017年玄元节赴泰山碧霞祠进行仪式跟踪并在本文中做了实录。第三部分为泰山碧霞祠现存经韵曲音乐分析,将泰山碧霞祠现存114首经韵曲从调式、调性、节拍与节奏等方面进行了分析,提出并说明了同宫同套及与十方韵有所区别的原因;第四部分为泰山碧霞祠经韵曲的保存与传承,阐述了其失传原因及近年来政府及其道教自身人士的抢救措施,并提出了个人在保护措施方面的几点意见。
[Abstract]:Taishan Taoism is an indispensable part of Taishan's cultural belief, and Taoist music, which is an important part of Taishan Taoist culture, also plays an extremely important role in Taishan's cultural belief. Among them, the rhyme is the main body and the most musical in the legal music. Bixia Temple is the most important place of Taishan Taoism activity at present. Almost all Taishan Taoist rituals are preserved here, and Taoist music is also preserved in it. However, the research on Taoist music in Mountain Tai Cabernet Temple is relatively lacking. Therefore, the author chooses the classical rhyme as the main body of Taoist music as the starting point of the research, and adopts the common file and field investigation method of ethomusicology, and widely adopts history, folklore and geography in the course of the research. The music records and analysis of the existing classical rhymes in Mountain Taishan Bixia Temple have been carried out by the multi-disciplinary research such as religion and so on. This paper is divided into four parts. The first part is the introduction, including the reason, research value, research review and research methods. The second part is about the existing rhyme of Bixia Temple of Mount Tai and its application. The author makes statistics on the existing rhyme of Bixia Temple of Mount Tai and expounds its application in different branches, and finds out the music phenomenon of the same name and the same song and different word of the same name. In addition, the author followed the ceremony in 2015, 2016 Ghost Festival and 2017 Xuanyuan Festival, and made a record in this paper. The third part is the music analysis of the existing classical rhyme in the Bixia Temple of Mount Tai. The author analyzes 114 rhyme songs from the aspects of modulation, tonality, rhythm and rhythm, and puts forward and explains the reasons for the difference between the same set of the same palace and the ten rhymes. The fourth part is the preservation and inheritance of the classical rhyme of the Bixia Temple of Mount Tai. The reasons for its loss and the rescue measures of the government and its Taoists themselves in recent years are expounded, and some personal opinions on protection measures are put forward.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J608.3

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