《人文颂》的文化内涵与音乐形态阐释

发布时间：2018-06-12 02:14

本文选题：《人文颂》 + 五常　；参考：《深圳大学》2017年硕士论文

【摘要】：交响曲《人文颂》是王宁的第五部交响作品,该作品最大的亮点在于运用西方的交响体裁来表达中国的儒家思想,并在国内外多个地方进行巡演,传播儒家仁义礼智信的人文精神。本文将从《人文颂》的创作历程、歌词所表达的哲学、美学思想,音乐形态中如何体现仁义礼智信的主题和《人文颂》在传播中带给受众的影响与受众的反馈等四大方面进行论述。在分析《人文颂》的创作历程时,本文先从它的创作背景入手,剖析《人文颂》产生的原因及它的文本创作的由来,描述作曲的过程中遭遇的难题并对《人文颂》的版本更变和演出情况作了归纳。本文将首次挖掘《人文颂》中歌词所表达的哲学内容和美学思想,其中儒家哲学思想“贬恶扬善”在《仁》乐章和《义》乐章歌词中的体现,“社会本位”功能在《礼》乐章歌词中的展现以及“天人合一”思想在《人文颂》的呈现。在审美形态的分析上,由于《人文颂》与贝多芬《第九交响曲》在体裁上和对人文思想的阐释上有着相似之处,因此本文将首次把《人文颂》体现的“沉郁”审美思想与《第九交响曲》呈现的“崇高性悲剧”审美作出比较。在音乐形态的分析上,本文将根据各乐章的特点进行分析,如运用动机分析法分析序曲与第一乐章《仁》,利用伦纳德·迈尔和格罗斯文纳·库伯的节奏分析标识体系来分析第二乐章《义》,第三乐章《礼》中韶乐的体现,第四乐章《智》独特的配器所呈现的“空灵”审美,第五乐章《信》铜管组所表达的“金石之声”。在创作思维上,《人文颂》与马勒的《大地之歌》有着相同的地方,同样是中国元素在西方音乐体裁中的体现,本文将在两首作品的创作思维上作出对比。《人文颂》曾到国内外多地演出,将“仁义礼智信”的思想向世界传播,本文将把音乐受众中音乐专业人士和非音乐专业人士的反馈,音乐传播者的构思与反馈作出归纳,从中分析《人文颂》带给受众的影响。
[Abstract]:The Symphony "Ode to the Humanities" is Wang Ning's fifth symphonic work. The highlight of this work is the use of western symphonic genres to express Chinese Confucianism and tour many places at home and abroad. Spread the humanistic spirit of Confucian benevolence, righteousness, propriety and wisdom. This article will be from the "Ode to the Humanities" creative process, lyrics expressed philosophy, aesthetic thinking, How to embody the theme of benevolence, righteousness, propriety, wisdom and faith in music form, the influence of "Ode to the Humanities" on the audience and the feedback from the audience are discussed. In the analysis of the creation process of "Ode to humanity", this paper begins with its creative background, analyzes the causes of the creation of "Ode to humanity" and the origin of its text creation. This paper describes the problems encountered in composing music and summarizes the variation of the version of Ode to Humanities and the performance. This paper first excavates the philosophical content and aesthetic thought expressed by the lyrics in Ode to Humanities, in which the Confucian philosophical thought of "disparaging evil and promoting good" is embodied in the lyrics of "benevolence" and "righteousness" in the lyrics of "benevolence" and "righteousness". The function of "social standard" is displayed in the lyrics of "Rites" and the "unity of nature and man" is presented in Ode to Humanities. In the analysis of aesthetic form, there are similarities between Ode to Humanism and Beethoven's Symphony No. 9 in genre and interpretation of humanistic thought. Therefore, for the first time, this paper compares the aesthetic thoughts of "melancholy" embodied in Ode to Humanities with the aesthetics of "sublime tragedy" presented in Symphony No. 9. In the analysis of the music form, this paper will analyze the characteristics of each movement, For example, we analyze the prelude and the first movement "Ren" by the method of motive analysis, and use the rhythm analysis marking system of Leonard Mayer and Grosvenor Cooper to analyze the embodiment of the second movement "meaning" and the third movement "Li" in Shao Le. The fourth movement "Zhi" unique orchestration presents the "empty" aesthetic, and the fifth movement < Xin > bronze tube group expresses "the voice of the stone". In terms of creative thinking, Ode to the Humanities has the same place as Mahler's Song of the Earth, and it is also the embodiment of Chinese elements in western musical genres. This article will compare the creative thinking of the two works. "Ode to the Humanities" has been performed in many places at home and abroad, spreading the thought of "benevolence, righteousness, propriety, wisdom and faith" to the world. This article will give feedback from music professionals and non-music professionals in the music audience. The conception and feedback of music communicators are summarized to analyze the influence of Ode to Humanities on the audience.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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