旋律学研究的范式性个案——“西北高原汉族音乐文化区民歌系统化综合研究”前言

发布时间：2018-06-12 05:05

本文选题：旋律学 + 分析框架　；参考：《星海音乐学院学报》2017年04期

【摘要】：在现有的音乐学理论中,并没有提供一套适合于中国民间音乐形态特征的技术分析体系,这与30多年来民族音乐学在国内的发展势头很不相称,与业已积累起的海量原始资料的现状相比,显出了理论研究的极度滞后。文章是对2013年完成的国家社会科学基金项目"西北高原汉族音乐文化区民歌系统化综合研究"的立意、基本思路和具体内容的概述。这个项目是基于改善旋律学分析现状的学术建设思考而设计的。这项工作的终极目标是期冀建立一套有严密逻辑的、可操作的分析体系,有助于填补和健全民族音乐理论体系,为专业音乐教育提供有坚实理论支持的专业教材。
[Abstract]:In the existing musicology theory, there is not a set of technical analysis system suitable for the characteristics of Chinese folk music, which is not commensurate with the development momentum of ethnomusicology in China for more than 30 years. Compared with the present situation of massive raw data which has been accumulated, it shows the extreme lag of theoretical research. This article is a summary of the national social science fund project "the systematic and comprehensive study of folk songs in the Han music and culture area of the northwest plateau", which was completed in 2013. This project is designed based on academic construction thinking to improve the current situation of melodic analysis. The ultimate goal of this work is to set up a set of rigorous logical and operable analysis system, which will help to fill and perfect the theoretical system of folk music and provide professional teaching materials with solid theoretical support for professional music education.
【作者单位】：中国艺术研究院音乐研究所;
【分类号】：J607

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