民歌在杜兆植音乐创作中的运用

发布时间：2018-06-12 23:49

本文选题：杜兆植 + 蒙古族音乐　；参考：《音乐创作》2017年07期

【摘要】：在人类历史发展的长河中,各民族传统文化都有其独特的社会历史演化历程和艺术文化的生成发展过程,形成其固有的、传统的、富有民族特色的音乐文化。各民族不同的自然环境、生活习惯、生产方式、宗教信仰造就了不同民族的音乐观念,也表现了不同的音乐审美。然而蒙古族音乐文化的特征表现出他民族特有的开阔、和谐、细腻、奔放。而杜兆植一生将蒙古族音乐素材与西方现代作曲技法相融合进行音乐创作实践,用自己的音乐语言结合民间音乐的特点将作品演绎的精致完美,他巧妙的将蒙古族民歌与大小调体系相结合,力图摆脱严谨的传统和声条框的束缚,探索新的和声表现手法,这一和声观念的形成使民歌与传统和声在他的创作中紧密地结合在一起,达到与真正的民间音乐相融合。
[Abstract]:In the long river of the development of human history, the traditional culture of each nationality has its unique course of social and historical evolution and the process of the formation and development of artistic culture, forming its inherent, traditional and rich national characteristics of music culture. The different natural environment, living habits, modes of production and religious beliefs of different nationalities have created different musical concepts and different musical aesthetics. However, the characteristics of Mongolian music culture show his unique openness, harmony, delicacy and unrestrained. Du Zhaozhi combined Mongolian music materials with modern western composing techniques in his life to make music creation practice, using his own music language to combine the characteristics of folk music to deduce the works of exquisite perfection. He cleverly combined the Mongolian folk songs with the major minor system in an effort to get rid of the shackles of the rigorous traditional harmony bars and to explore new techniques for the expression of harmony. The formation of this concept of harmony makes folk songs and traditional harmony closely combined in his creation, and achieves the fusion with real folk music.
【作者单位】：内蒙古艺术学院音乐学院;
【分类号】：J607

【参考文献】