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内心视觉在扬琴演奏中的应用研究

发布时间:2018-06-13 14:09

  本文选题:扬琴演奏 + 内心视觉 ; 参考:《艺术科技》2016年11期


【摘要】:扬琴在我国已经有了较长的演奏历史。扬琴音色明亮欢脱,恰如高山流水,叮咚作响,又如大珠小珠落玉盘般清脆动人。扬琴在大型演唱会会表演中也独树一帜,它适合于独奏、合奏、伴奏等多种形式,是演唱会的重要角色。扬琴的音色突出,对演奏的技法要求也很高,演奏者必须要心无旁骛,心态平和、宁静,专注于扬琴的演奏,才能真正让扬琴表现出其动人的音律。因此,本文将从表演心理学的视角,分析如何将内心视觉的相关理论应用于扬琴演奏中,让演奏者在心理素质层面上有所提高,进而保证扬琴演奏完整流畅地进行。
[Abstract]:The yangqin has a long history of playing in our country. Yangqin sound bright Huan, just like high mountain water, Dingdong sound, as big beads and beads falling jade plate as crisp and moving. The yangqin is also unique in large concert performance, it is suitable for solo, ensemble, accompaniment and other forms, it is an important role in concert. The yangqin has outstanding timbre and high requirements for playing techniques. Players must concentrate on the performance of the yangqin without distraction, peace of mind, and focus on the performance of the yangqin, in order to truly let the yangqin show its moving rhythm. Therefore, from the perspective of performing psychology, this paper will analyze how to apply the theory of inner vision to the performance of yangqin, so as to improve the players' psychological quality, and then ensure that the yangqin plays smoothly and completely.
【作者单位】: 山西艺术职业学院;
【分类号】:J632.51

【参考文献】

相关期刊论文 前4条

1 史小霞;;分析内心视觉在扬琴演奏中的运用[J];北方音乐;2015年15期

2 赵师加;;论内心视觉在扬琴演奏中的运用[J];音乐大观;2014年04期

3 马燕;;浅析扬琴演奏的心理境界[J];大众文艺;2013年03期

4 吴s,

本文编号:2014280


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