大理彝族地区打歌活态保护研究

发布时间：2018-06-14 07:09

  本文选题：彝族打歌 + 传承方式　； 参考：《大理大学》2016年硕士论文

【摘要】：打歌,又称“踏歌”,是彝族地区民间活动的重要组成部分;是一种集歌舞乐三位一体的传统舞蹈形式;真实反映了彝族人民生产生活并成为人民精神寄托和表达情感的自娱性活动。大理地区的巍山彝族回族自治县、南涧彝族自治县、漾濞彝族自治县以及祥云是彝族的聚居地。自2008年巍山县打歌被国务院列入非物质文化遗产项目以来,随着经济全球一体化的发展和现代化进程的推进,彝族打歌的生态环境发生了巨大的变化,传承与保护也面临越来越严峻的考验。活态保护是针对非物质文化遗产提出的保护之路,区别于物质文化“博物馆式”的静态保护,是将“原汁原味”的原生态文化真实展现,在不改变其原有的文化特色上进行创新与发展,使其带来经济效益。因此我们要寻求一条适合大理地区彝族打歌的活态保护模式的新思路。本文针对大理彝族地区打歌的采集与分类,利用文献研究法将采集的资料分析整理,得出打歌的保护现状及面临的问题;结合民族学田野调查法了解当地的打歌活态传承方式进行对比分析,得出一条在适度开发利用打歌带来经济效益同时,将资金二度用于对打歌创作与发展的活态保护模式之路。第一部分主要是讲述了打歌的概况,从打歌的历史背景、打歌的民俗活动、打歌的分类三个方面。第二部分是对彝族地区打歌的活态传承方式的分析,巍山彝族的“博物馆与传习所并存”方式、祥云彝族“仪式中的舞台展演”方式、南涧彝族的“众人参与”方式、漾濞彝族的“精英带领”方式。第三部分主要是对大理彝族地区打歌的活态保护比较分析,得出现彝族打歌存在的问题。第四部分是对非物质文化“活态”的再思考,分析非物质文化活态保护中“活”字的不同涵义;以及探讨传承与保护中的动因和举措。
[Abstract]:Playing songs, also known as "treading songs", is an important part of the folk activities in the Yi nationality area, and is a traditional dance form of singing and dancing. It truly reflects the Yi people's production and life, and become the people's spiritual sustenance and expression of emotional self-entertainment activities. Weishan Yi Hui Autonomous County, Nanjian Yi Autonomous County, Yangbi Yi Autonomous County and Xiangyun are the inhabited areas of Yi nationality in Dali area. Since Weishan County Dagao was listed by the State Council as an intangible cultural heritage project in 2008, with the development of global economic integration and the advancement of modernization, the ecological environment of the Yi people has undergone tremendous changes. Inheritance and protection are also facing a more and more severe test. The living state protection is the way to protect the intangible cultural heritage, which is different from the static protection of the material culture "museum style". It is the true display of the original ecological culture of the "original taste". Innovation and development are carried out without changing its original cultural characteristics to bring economic benefits. Therefore, we should seek a new way to protect the living state of the Yi nationality in Dali area. According to the collection and classification of the songs in the Dali Yi nationality area, the paper analyzes the collected data by using the literature research method, and obtains the current situation of the protection of the songs and the problems it faces. Based on the field investigation of ethnology, this paper makes a comparative analysis of the local ways of inheriting the living state of playing songs, and finds out a way of protecting the living state of the creation and development of playing songs by using the funds twice at the same time of bringing economic benefits through the appropriate development and utilization of playing songs. The first part is mainly about the general situation of playing songs, from the historical background of playing songs, folk activities of playing songs, the classification of playing songs. The second part is the analysis of the way of living inheritance of singing in Yi area, the coexistence of museum and tradition of Yi nationality in Weishan, the "stage exhibition in ceremony" of Xiangyun Yi people, and the "public participation" mode of Yi nationality in Nanjian. Yangbi Yi people's "elite leadership" way. The third part is a comparative analysis of the live-state protection of the songs of the Yi nationality in Dali. The fourth part is the rethinking of the "living state" of the immaterial culture, the analysis of the different meanings of the word "alive" in the protection of the immaterial cultural living state, and the discussion of the causes and measures in the inheritance and protection.
【学位授予单位】：大理大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J607
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本文编号：2016593