燕乐二十八调东传日本的研究

发布时间：2018-06-14 09:30

  本文选题：燕乐二十八调 + 《五弦谱》　； 参考：《上海音乐学院》2016年硕士论文

【摘要】：燕乐二十八调作为我国唐代的乐调理论,不仅影响了唐以后宋、元等朝代的音乐,更是流传至日本,用于日本雅乐之中。那么流传至日本的燕乐调理论是否依然保持着原样,与唐代的燕乐调理论性质、形态一致呢?燕乐二十八调在唐代的具体形态、流传日本的方式及时间、在日本雅乐中的具体运用、日本乐调与唐乐调的对比等问题是本文的研究重点和需要解决的问题。本文将以史学为基础,结合乐谱等资料对燕乐二十八调在唐代的具体形态,以及东传日本后的发展进行分析论述。
[Abstract]:As the music theory of Tang Dynasty, Yanle 28 not only influenced the music of Song and Yuan dynasties after Tang Dynasty, but also spread to Japan and used in Japanese elegant music. So is the theory of Yan music in Japan still the same as that of the Tang Dynasty? The specific form of Yanle 28 tune in Tang Dynasty, the way and time of spreading in Japan, the concrete application in Japanese elegant music, and the comparison between Japanese tune and Tang tune are the key points and problems to be solved in this paper. On the basis of historiography, this paper analyzes and discusses the specific form of Yan Le 28 in Tang Dynasty and its development after spreading to Japan.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J609.2;G206
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本文编号：2016907